Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)
Essays in Criticism, second series (1888)
Context: If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.”
"James Clarence Mangan" (1902) http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1, a lecture on Mangan delivered at the Literary and Historical Society, University College, Dublin (1 February 1902) and printed in the college magazine St. Stephen's
Context: Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
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James Joyce 191
Irish novelist and poet 1882–1941Related quotes
"On the International Workingmen's Association and Karl Marx" https://www.marxists.org/reference/archive/bakunin/works/1872/karl-marx.htm (1872)
Introduction
Free Culture (2004)
Context: I believe it would be right for common sense to revolt against the extreme claims made today on behalf of "intellectual property." What the law demands today is increasingly as silly as a sheriff arresting an airplane for trespass. But the consequences of this silliness will be much more profound.
The last letter from Mordecai Anielewicz , April 23 1943, written to Yitzhak Cukierman. [M.Kann], Na oczach swiata, ("In The Eyes of the World"), Zamosc, 1932 [i.e. Warszawa, 1943], pp. 33-34.
Free Culture (2004)
Context: A simple idea blinds us, and under the cover of darkness, much happens that most of us would reject if any of us looked. So uncritically do we accept the idea of property in ideas that we don't even notice how monstrous it is to deny ideas to a people who are dying without them. So uncritically do we accept the idea of property in culture that we don't even question when the control of that property removes our ability, as a people, to develop our culture democratically. Blindness becomes our common sense. And the challenge for anyone who would reclaim the right to cultivate our culture is to find a way to make this common sense open its eyes.
So far, common sense sleeps. There is no revolt. Common sense does not yet see what there could be to revolt about.
A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Thursday
“We may employ artifice to deceive a rival, anything against our enemies.”
Pour tromper un rival l'artifice est permis; on peut tout employer contres ses ennemis.
As quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood
Variant translation: To mislead a rival, deception is permissible; one may use all means against his enemies.
Joe Hisaishi, who wrote music for Hayao Miyazaki's films https://www.scmp.com/lifestyle/arts-entertainment/article/1780283/studio-ghibli-composer-joe-hisaishi-talks-about-how,South China Morning Post