
As quoted in Harry S. Truman https://en.wikipedia.org/wiki/Harry_S._Truman#CITEREFTruman1973 (1973), by Margaret Truman, New York: William Morrow, p. 429
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
As quoted in Harry S. Truman https://en.wikipedia.org/wiki/Harry_S._Truman#CITEREFTruman1973 (1973), by Margaret Truman, New York: William Morrow, p. 429
From interview with Subhash K. Jha
As quoted in "Brigitte Lin, a timeless national treasure" in Taipei Times (15 May 2018) https://www.taipeitimes.com/News/feat/archives/2018/05/15/2003693091
Encountering Directors interview (1969)
Context: When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film. I never think ahead of the shot I'm going to make the following day because if I did, I'd only produce a bad imitation of the original image in my mind. So what you see on the screen doesn't represent my exact meaning, but only my possibilities of expression, with all the limitations implied in that phrase. Perhaps the scene reveals my incapacity to do better; perhaps I felt subconsciously ironic toward it. But it is on film; the rest is up to you.
Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s