Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
“Paradoxically, the simpler poetry is, the more difficult it becomes for a critic to discuss intelligently. Trained to explicate, the critic often loses the ability to evaluate literature outside the critical act. A work is good only in proportion to the richness and complexity of interpretations it provokes.”
"The Anonymity of the Regional Poet: Ted Kooser," from Can Poetry Matter? Essays on Poetry and American Culture (1992)
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Dana Gioia 80
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Statement (September 1961), as quoted in Mr. Strangelove: A Biography of Peter Sellers (1999) by Ed Sikov, p. 168
Context: Criticism should be done by critics, and a critic should have some training and some love of the medium he is discussing. But these days, gossip-columnist training seems to be enough qualification. I suppose an ability to stand on your feet through interminable cocktail parties and swig interminable gins in between devouring masses of fried prawns may just possibly help you to understand and appreciate what a director is getting at, but for the life of me I can't see how.

“Poetry can be criticized only through poetry.”
“Selected Aphorisms from the Lyceum (1797)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) #117
Context: Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.

1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799

W. H. Auden, recorded in Alan Ansen (ed. Nicholas Jenkins) The Table Talk of W. H. Auden (London: Faber, 1991) p. 44.
Criticism

Source: Real Presences (1989), I: A Secondary City, Ch. 4 (p. 11).