“The distinguishing quality of most primitive art is the intense vitality which it possesses, because it has been made by a people in close touch with life, who felt simply and strongly, and whose art was a means of expressing vitally important beliefs, hopes and fears. Negro sculpture is essentially religious and cannot be detached from the tribal gods, priests and ancient rituals. When civilization destroyed these things, it also destroyed their Art. These carvings have a serious and pathetic power – a bigness and monumental simplicity born of the racial patience in bearing life with all its terror and mystery....(But as always, it was the artist who was the first to see in them a new thing – a new plastic conception – an artistic worth – a value as art – their importance as art).”

The Art of War, Chapter I · Detail Assessment and Planning
Context: The art of war is of vital importance to the State. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected.

Inside Information p. 7
The Book on the Taboo Against Knowing Who You Are (1966)

Source: * The New York Exhibition of Independent Artists ** The Craftsman ** 1910 ** https://books.google.com/books?id=Af84fBmzmVYC&pg=PA423&lpg=PA423&dq=Art+cannot+be+separated+from+life.#v=onepage&q=Art%20cannot%20be%20separated%20from%20life.&f=false.

Oluşmak (To Become) Aphorisms (Pan Publishing House, Istanbul, 2011)

Source: Journals

Quote in interview with Willoughby Sharp, 1969; as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 212, note vii
1960's

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

Opera and Drama (1851)