“I'll string a fiddle with your guts and make you play it while I dance.”
Patrick Rothfuss book The Name of the Wind
Source: The Name of the Wind
The Fiddler Of Dooney http://poetry.poetryx.com/poems/1620/, st. 1 <br class="br">The Wind Among the Reeds (1899)
“I'll string a fiddle with your guts and make you play it while I dance.”
Patrick Rothfuss book The Name of the Wind
Source: The Name of the Wind
Xuân Quỳnh (1942–1988) poet
"Sóng" (29-12-1967)
“It needs more skill than I can tell
To play the second fiddle well.”
Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist
The Salt-Cellars http://books.google.com/books?id=CmAUAAAAYAAJ&q=%22It+needs+more+skill+than+I+can+tell+To+play+the+second+fiddle+well%22&pg=PA284#v=onepage (1885)
“Lighter than a cork I danced on the waves.”
Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet
Plus léger qu'un bouchon j'ai dansé sur les flots. <br class="br">St. 4 <br class="br"> Le Bateau Ivre http://www.mag4.net/Rimbaud/poesies/Boat.html (The Drunken Boat) (1871)
Van Morrison (1945) Northern Irish singer-songwriter and musician
Heavy Connection
Song lyrics, A Period of Transition (1977)
“When I die I'm going to dance first in all the galaxies… I'm gonna play and dance and sing.”
Elisabeth Kübler-Ross (1926–2004) American psychiatrist
David Oistrakh (1908–1974) Soviet violinist
oistrakh.ru Biography of David Oistrakh http://www.oistrakh.ru/en/david_oistrakh/biography/.
Alan Moore (1953) English writer primarily known for his work in comic books
De Abaitua interview (1998)
Context: The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws. You ask the protective spirits to look after you, or whatever. This provides a framework over an essentially amorphous experience. You are setting up your terms, your ritual, your channels – but you deliberately stepping over the edge into the madness. You are not falling over the edge, or tripping over the edge.
When I was a kid, I used to go to the seaside and play in the waves. The thing you learn about waves, is that when you see a big one coming, you run towards it. You try and get out of its way and you’ll end up twenty yards up the beach covered in scratches. Dive into it, and then you can get behind it. You get on top it, you won’t be hurt. It is counter-intuitive, the impulse is to run away, but the right thing to do is to plunge into it deliberately, and be in control when you do it. Magic is a response to the madness of the twentieth century.
Sara Teasdale (1884–1933) American writer and poet
"I Would Live in Your Love"
Helen of Troy and Other Poems (1911)
"Four for Sir John Davies," ll. 19-24
The Waking (1953)