“In Maximus all the streams of the Greek patristic tradition flow together in synthesis. At the same time, with real originality, there is much from within that tradition that he takes to a higher level. But the course of this saint's life impressed me even more than his teaching. Once again, like Athanasius, one man was able to defend orthodox Christology against a whole empire. A Byzantine joins forces with Pope St. Martin I in Rome and finally suffers martyrdom for the true faith. This is the summit of that unity of doctrine and life which marks the whole patristic age; speculation and mysticism of the greatest subtlety are wedded to a soberly and consciously grasped martyrdom. In St. Maximus we can see in the Catholica what Kierkegaard found within the individual.”

Our Task: A Report and a Plan (1984)

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Hans Urs Von Balthasar17

Swedish Catholic theologian 1905–1988

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Adi Da Samraj (1939–2008) American writer

http://www.adidam.org/teaching/first_word/complete_text.html

“Indian art has been the product of Indian culture as the Greek art has been the product of Greek culture or the Roman art has been the product of Roman culture. Indian culture, however, has been the product of two streams of thoughts and practices, one, the Folk, belonging to the oral traditions operating at the folk level, in the villages, and, the other, classical, belonging to the sophisticated literary traditions, the former is sometimes called 'Lower Tradition' and the latter 'Higher Tradition.”

Swaraj Prakash Gupta (1931–2007) Indian archaeologist and art historian

Elements of Indian Art (2002)

“First, Greece: for modem Greeks, as I intimated, the future could mirror ‘the past’ past’ in more than one way, since there was a clear split in that past. One school argued for the Byzantine roots and glory of Greece. They pointed to the massive influx of Slavic immigrants in the sixth and succeeding centuries throughout the Balkans and Greece, and claimed that this had weakened the links with a decayed Hellenic (or Hellenistic— Roman) culture. What was Byzantine was essentially Orthodox Christianity only the Greek language and liturgy retained any connection with a pre-Christian past. In the Orthodox millet of the Ottoman empire, Christianity had kept a Byzantine Greek ethnic alive, as in a chrysalis, ready to be transformed under the impact of Western ideas and commercialization in the late eighteenth century.8’ For the Byzantine-Orthodox clergy and their flocks, for the notables in the Mores and Phanariots in Constantinople, this grandiose dream of a restored Byzantine empire under Greek control located the re-nascent Greek people and charted their future in the Aegean and Ionia. It also pointed the way to a restored agrarian society of peasants, notables and clergy, essentially smallholders, but led by educated Orthodox elites under the Patriarch.”

Anthony D. Smith (1939–2016) British academic

Source: The Ethnic Origins of Nations (1987), p. 203.

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Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

As quoted in It Has Been 50 Years Since Che Guevara Was Murdered http://www.thenation.com/article/archive/it-has-been-50-years-since-che-guevara-was-murdered/, by Bill Ayers and Michael Steven Smith

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Anthony D. Smith (1939–2016) British academic

See Armstrong 1982, I74—8I cf. Baynes and Moss 1969, 119—27, and Carras 1983.
Source: The Nation in History (2000), p. 42-43.

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Friedrich Nietzsche book Human, All Too Human

I.96
Human, All Too Human (1878)

“This is the true paradox of Chopin: he is most original in his use of the most fundamental and traditional technique. That is what made him at the same time the most conservative and the most radical composer of his generation.”

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Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

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Douglas John Hall (1928) Canadian theologian

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“At its beginnings there was very powerful meditation on the presence of Christ in the oppressed Indians, which objectively pointed toward a christology of the "body of Christ." Guamán Poma, for example, said, "By faith we know clearly that where there is a poor person there is Jesus Christ himself," and Bartolomé de las Casas declared, "In the Indies I leave Jesus Christ, our God, being whipped and afflicted, and buffeted and crucified, not once but thousands of times, as often as the Spaniards assault and destroy those people." But this original christological insight did not thrive, and what became the tradition was a christology based on the dogmatic formulas, in which— however well they were known and understood— what was stressed was the divinity of Christ rather than his real and lived humanity.”

Jon Sobrino (1938) Spanish theologian

Source: Jesus the Liberator (1991), p. 11

“Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.”

Alexej von Jawlensky (1864–1941) Russian painter

quote from his letter to the National Socialist State Cultural administration, 1939; Jawlensky asked permission to exhibit his painting art, which was turned down by the Nazi regime
Source: 1936 - 1941, Life Memories' (1938), p. 24

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Hans Urs Von Balthasar17

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