Satires (c. 35 BC and 30 BC)
Inde fit ut raro, qui se vixisse beatum dicat et exacto contentus tempore vita cedat uti conviva satur, reperire queamus.
Source: Don Quixote de la Mancha (1605–1615), Part I, Book IV, Ch. 23.
Freedom From the Ties that Bind
Book III, Ode 29, lines 65–68.
Imitation of Horace (1685)
Man Is Not Alone : A Philosophy Of Religion (1951), Ch. 24 : The Great Yearning; The Yearning for Spiritual Living<!-- p. 259 -->
Context: He who is satisfied has never truly craved, and he who craves for the light of God neglects his ease for ardor, his life for love, knowing that contentment is the shadow not the light. The great yearning that sweeps eternity is a yearning to praise, a yearning to serve. And when the waves of that yearning swell in our souls all the barriers are pushed aside: the crust of callousness, the hysteria of vanity, the orgies of arrogance. For it is not the I that trembles alone, it is not a stir out of my soul but an eternal flutter that sweeps us all. No code, no law, even the law of God, can set a pattern for all of our living. It is not enough to have the right ideas. For the will, not reason, has the executive power in the realm of living. The will is stronger than reason and does not blindly submit to the dictates of rational principles. Reason may force the mind to accept intellectually its conclusions. Yet what is the power that will make me love to do what I ought to do?
Source: A Burnt Child (1948), p. 200
#happiness
“He who can live in infamy is unworthy of life.”
Qui peut vivre infâme est indigne du jour.
Don Diègue, act I, scene v.
Le Cid (1636)
Gautama Buddha, Udana 10
Unclassified
What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972
