
Speech in the House of Commons (13 March 1989) http://hansard.millbanksystems.com/commons/1989/mar/13/adjournment-easter-and-monday-1-may on the Factortame case
1980s
Speech http://hansard.millbanksystems.com/commons/1966/jul/22/medical-termination-of-pregnancy-bill in the House of Commons in favour of the Bill legalising abortion (22 July 1966)
1960s
Speech in the House of Commons (13 March 1989) http://hansard.millbanksystems.com/commons/1989/mar/13/adjournment-easter-and-monday-1-may on the Factortame case
1980s
Letter to Lord Linlithgow (23 September 1937), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 870
The 1930s
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 183; Rodin talks about cathedrals
Babak Khorramdin's letter to his son, rejecting the caliph’s amnesty message, quoted by Al-Tabari, cited in "BĀBAK ḴORRAMI" at Encyclopaedia Iranica http://www.iranicaonline.org/articles/babak-korrami
1860s, Letter to Horace Greeley (1862)
Our Revolutionary Right, 1999.
1990s, 1990
1960s, The American Promise (1965)
Curtain - Poirot's Last Case (1975)
Context: I have no more now to say. I do not know, Hastings, if what I have done is justified or not justified. No — I do not know. I do not believe that a man should take the law into his own hands... But on the other hand, I am the law! As a young man in the Belgian police force I shot down a desperate criminal who sat on a roof and fired at people below. In a state of emergency martial law is proclaimed.
Source: Art applied to industry: a series of lectures, 1865, p. 9; Partly cited in: The New Encyclopaedia Britannica: Macropaedia (19 v.) Encyclopaedia Britannica, 1983. p. 514
Context: At present the fashion appears to have set in in favour of two very distinct styles. One is a very impure and bastard Italian, which is used in most large secular buildings; and the other is a variety of the architecture of the thirteenth century, often, I am sorry to say, not much purer than its rival, especially in the domestic examples, although its use is principally confined to ecclesiastical edifices. It is needless to say that the details of these two styles are as different from each other as light from darkness, but still we are expected to master both of them. But it is most sincerely to be hoped that in course of time one or both of them will disappear, and that we may get something of our own of which we need not be ashamed. This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.