“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

— Ossip Zadkine

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Other…" by Ossip Zadkine?

Ossip Zadkine 31

French sculptor 1890–1967

Related quotes

“Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

“We live in a three-dimensional world, and our brains are organized in three dimensions, so we might as well compute in three dimensions. …Right now, chips, even though they're very dense, are flat.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

"The Singularity," The New Humanists: Science at the Edge (2003)

“We cannot avoid moodiness; but we may turn to account, as does the poet, the various dispositions of the mind, or give them form and shape, as the sculptor his marble.”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

The Dietetics of the Soul; Or, True Mental Discipline (1838)

“This most modern art discipline - Social Sculpture / Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.”

Joseph Beuys (1921–1986) German visual artist

1970's, I Am Searching For Field Character,' 1973/74

“The triangles that we can measure are not large enough… to detect the curvature. Fortunately, however, we are, in a way, able to communicate with the fourth dimension. The theory of relativity has given us an insight into the structure of the real universe: …a four-dimensional structure. The study of the way in which the three space-dimensions are interwoven with the time-dimension affords a kind of outside point of view of the three-dimensional space… from this outside point of view we might be able to perceive the curvature of the three-dimensional world.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

“One thing is sure – we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas... To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 16

“I despair not that, even here, in this region of Three Dimensions, your Lordship's art may make the Fourth Dimension visible to me; just as in the Land of Two Dimensions my Teacher's skill would fain have opened the eyes of his blind servant to the invisible presence of a Third Dimension, though I saw it not.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 19. How, Though the Sphere Showed Me Other Mysteries of Spaceland, I Still Desired More; and What Came of It
Context: I despair not that, even here, in this region of Three Dimensions, your Lordship's art may make the Fourth Dimension visible to me; just as in the Land of Two Dimensions my Teacher's skill would fain have opened the eyes of his blind servant to the invisible presence of a Third Dimension, though I saw it not.Let me recall the past. Was I not taught below that when I saw a Line and inferred a Plane, I in reality saw a Third unrecognized Dimension, not the same as brightness, called "height"? And does it not now follow that, in this region, when I see a Plane and infer a Solid, I really see a Fourth unrecognized Dimension, not the same as colour, but existent, though infinitesimal and incapable of measurement?

“We may fill our purses, but we pay a heavy price for it in the loss of picturesqueness and beauty.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

Source: James Nasmyth engineer, 1883, p. 153 (in 2010 edition)

“We know that sacrifices lie before us and that we must pay a price for the heroic act of being a vanguard nation. We leaders know that we must pay a price for the right to say that we are at the head of a people, which is at the head of the Americas. Each and every one of us must pay his exact quota of sacrifice, conscious that he will get his reward in the satisfaction of fulfilling a duty, conscious that he will advance with all toward the image of the new man dimly visible on the horizon.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

“Until the artist is dead, we are not able to determine his work in all its dimensions.”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

Help us to complete the source, original and additional information

Ossip Zadkine 31

Related quotes

Related topics