" Feminism, Moralism, and Pornography" (1979) http://www2.ucsc.edu/culturalstudies/EVENTS/Spring09/Rubin-%20Willis%20-%20Feminism,%20Moralism%20&%20Porn.pdf, Beginning To See the Light: Pieces of a Decade (1981)
“Turn down the porn soundtrack! Trying to concentrate here!-Shane”
“Bad guys turned informer. Good guys didn't — no matter when, no matter what.”
Source: Player Piano (1952), Chapter 31 (p. 293)
Context: Here it was again, the most ancient of roadforks, one that Paul had glimpsed before, in Kroner's study, months ago. The choice of one course or the other had nothing to do with machines, hierarchies, economics, love, age. It was a purely internal matter. Every child older than six knew the fork, and knew what the good guys did here, and what the bad guys did here. The fork was a familiar one in folk tales the world over, and the good guys and the bad guys, whether in chaps, breechclouts, serapes, leopardskins, or banker's gray pinstripes, all separated here.
Bad guys turned informer. Good guys didn't — no matter when, no matter what.
Source: The Machine's Child (2006), Chapter 5, “Another Morning in 2302 AD” (p. 48)
Danny Deever, Stanza 1.
Barrack-Room Ballads (1892, 1896)
Source: What We Talk About When We Talk About Love (1981)
“He used to tell me, 'Do what you like to do. It'll probably turn out to be what you do best.”
Source: Crossing to Safety
“For me, how I feel about what I wrote down turns into a song.”
Global Bass interview (2000)
