“I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.”

— Georges Braque

Source: 1946 - 1963, Cahiers d'art', 1954, p. 16 - In: 'Braque, la peinture et nous'

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Georges Braque 43

French painter and sculptor 1882–1963

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“What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life…'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

“What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.”

Georges Braque (1882–1963) French painter and sculptor

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“Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque to John Richardson, in 'Braque Discusses His Art', in 'Realités', no. 93, August 1958, p. 28
1946 - 1963

“I lived with the terrible knowledge that one day I would be an old man still waiting for my real life to start. Already, I pitied that old man.”

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“I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.”

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Georges Braque 43

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