“The deepest, the only theme of human history, compared to which all others are of subordinate importance, is the conflict of skepticism with faith.”
Johann Wolfgang von Goethe in "Israel in the Desert" (1819)
Misattributed
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Karl Popper 82
Austrian-British philosopher of science 1902–1994Related quotes

"Chateaubriand's English Literature" (1839), p. 245.
Biographical and Critical Miscellanies
Source: 1960s, Fights, games, and debates, (1960), p. 11
Context: Conflict... is a theme that has occupied the thinking of man more than any other, save only God and love. In the vast output of discourse on the subject, conflict has been treated in every conceivable way. It has been treated descriptively, as in history and fiction; it has been treated in an aura of moral approval, as in epos; with implicit resignation, as in tragedy; with moral disapproval, as in pacifistic religions. There is a body of knowledge called military science, presumably concerned with strategies of armed conflict. There are innumerable handbooks, which teach how to play specific games of strategy. Psychoanalysts are investigating the genesis of "fight-like" situations within the individual, and social psychologists are doing the same on the level of groups and social classes.

“The deepest urge in human nature is the desire to be important.”

Interview by John C. Snider (2003) at SciFiDimensions.com http://www.scifidimensions.com/Aug03/terrygoodkind.htm
Context: Fantasy allows you to shine a different kind of light on human beings. I believe the only valid use of fantasy is to illustrate important human themes. Magic in my novels is used in three ways: the simplest is as a metaphor for technology. A good example is a magic carpet. There's no magic carpet in my novels, but if someone needs to travel a great distance, they could use a magic carpet, while in a contemporary novel they'd use a car. The second way, and I think the most important, is as a metaphor for individuality and individual ability. The mediocre world doesn't want individuals to rise above what everyone else is doing. The third way I use magic is as a metaphor for coming out of an age of mysticism into a Renaissance. So, in a way it's the struggle between the Dark Ages and the Renaissance. … I never allow my characters to use magic to solve their problems. Some of their peripheral problems are solved through their magical abilities, but it's couched in terms of overcoming those problems in a thinking way. The major conflicts in the books are always solved through human intellect, through thinking out the problem and coming up with a solution. It's never "I'll just wave my magic wand over the bad guys and have them all fall down dead!"

2005-05-23
Penn & Teller: Bullshit!
season 3 episode 5
Holier Than Thou
Television
2000s, 2005

“A gifted humanity can only produce skeptics, never saints.”
The Temptation to Exist (1956)