“I rang up this publisher and they asked me what I was doing at the time. I told them I was a house-painter, so first of all they had me come round and paint the place. Only later did they consider my work and Banished Misfortune was published.”

— Dermot Healy

John O'Mahony (2000). Let the west of the world go by http://www.guardian.co.uk/books/2000/jun/03/fiction.johnomahony, The Guardian (3 June 2000)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I rang up this publisher and they asked me what I was doing at the time. I told them I was a house-painter, so first of…" by Dermot Healy?

Dermot Healy 11

Irish writer 1947–2014

Related quotes

“We have a habit in writing articles published in scientific journals to make the work as finished as possible, to cover all the tracks, to not worry about the blind alleys or to describe how you had the wrong idea first, and so on. So there isn't any place to publish, in a dignified manner, what you actually did in order to get to do the work.”

Richard Feynman (1918–1988) American theoretical physicist

"The Development of the Space-Time View of Quantum Electrodynamics," Nobel Lecture http://nobelprize.org/physics/laureates/1965/feynman-lecture.html (11 December 1965)

“To dance with the naked [blow-up] doll, that was me! That's what I mean by I'm real, I'm truly hardcore, because I needed the money and I had to work. So if he told me that for me to get paid I had to go out there in bikini briefs and hop on top of this [blow-up] doll and that's how I gotta get paid, and I was homeless at the time, that's what I had to do. But What I did was not let him pimp me, you know what I'm saying. It wasn't like I just did that because that was my order. As soon as I got the check's to say what was on my mind, I said what was on my mind. And we have a platinum record now, you know what I'm saying.”

Tupac Shakur (1971–1996) rapper and actor

1990s, MTV interview (1994)

“One Sunday, Diego came to the house to see my paintings and critiqued all of them in a very clear manner, and he told me all the possibilities he saw in them. Then I painted two or three things, which are around the house, that to me seem very influenced by him [circa 1928]. They are portraits of thirteen- or fourteen-year-old kids... In 1929, I joined the Communist Party, I got married to Diego, and I had my first abortion. In that year I painted a portrait of Cristina Moya.... and other drawings that Morillo Safa [her main patron] owns. The unfinished [self-]portrait of my first abortion was my first Surrealist painting ['Frida and the Caesarean', she painted in 1929] but not completely. I have it [at home].”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 74

“I've always been told that I was a painter's painter... What does that mean?... That painters like my painting and the big wide world overlooks it, I suppose?... Well, I know... To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

“If I were a painter
I would paint my reverie
If that's the only way for you to be with me”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Painter Song", Come Away with Me (2002)
Song lyrics

“My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from: Entretiens avec Marcel Duchamp, 1965; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 198
Duchamp's quote is referring to his painting 'Moulin a café', 1911 - many times reproduced from the lithography, made for the 1947 re-edition of Gleizes and Metzingers book 'Du Cubisme'
1951 - 1968

“"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in here to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.”

Henri Matisse (1869–1954) French artist

Interview with Clara T. MacChesney (1912), in Matisse on Art (1995) edited by Jack D. Flam, p. 66
1910s

“One has to see a painter in his own place to get an idea of his worth. I went back there [to Corot's studio, after the official exhibition] and I appreciate in a new light the paintings that I had seen in the Museum and that had struck me as middling... He told me to go a bit ahead of myself, abandoning myself to whatever might come; this is how he works most of the time... Corot delves deeply into a subject; ideas come to him and he adds while working; it's the right approach.”

Eugène Delacroix (1798–1863) French painter

Quote from entry of Delacroix's Journal, 14 March, 1847; as cited in Selected writings on Art and Artists, transl. P. E. Charvet – Cambridge University Press, Archive, 1981, p. 150, note 44
This visit of Delacroix was the beginning of an important friendship
1831 - 1863

“If it hurt me to have to give up a painting I figured it had to hurt them to write the check. That's how I came up with the price for my work.”

Keariene Muizz (1977) American artist

Associated Press (2008); from an interview conducted by John Rogers.

“I am guilty of one thing - that I should have cleared out and not had anything to do with these criminals in the first place. Later it was too late. I was in up to my neck. But as for the atrocities, I had not a thing to do with them, did not know about them. And as for conspiring against peace, that is false, too. And that is my plain line of defense.”

Walther Funk (1890–1960) German economist and politician

To Leon Goldensohn, April 14, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

“I rang up this publisher and they asked me what I was doing at the time. I told them I was a house-painter, so first of all they had me come round and paint the place. Only later did they consider my work and Banished Misfortune was published.”

Help us to complete the source, original and additional information

Dermot Healy 11

Related quotes

Related topics