Source: Delinquent Boys: The Culture of the Gang, 1955, p. 110
“Grotesque sentiments such as the lust of business success or economic power of any kind, and indeed every purely self-regarding passion, from that of the social climber to that of the salvation-seeking ascetic, are experienced by the explorer with something of that shame which the child, emerging into adolescence, may feel toward the still-clinging fascination of his outgrown toys, or with such disgust as the youth may feel when he wakes from some unworthy sexual infatuation”
Source: Last Men in London (1932), Chapter II: Exploring the Past.
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Olaf Stapledon 113
British novelist and philosopher 1886–1950Related quotes

Authority and the Individual (1949), p. 59
1940s

"Three Essays On The Theory Of Sexuality" (1905), reprinted in "Essential Papers on Masochism" p.87, edited by Margaret Ann Fitzpatrick Hanly, New York University press, New York and London, (1995)
1900s

La honte que cause l’amour est comme sa douleur: on ne l’éprouve qu’une fois. On peut encore la feindre après; mais on ne la sent plus. Cependant le plaisir reste, et c’est bien quelque chose.
Letter 105: La Marquise de Merteuil to Cécile Volanges. Trans. Richard Aldington (1924). http://fr.wikisource.org/wiki/Les_Liaisons_dangereuses_-_Lettre_105
Les liaisons dangereuses (1782)
Source: Anti-Intellectualism in American Life (1974), p. 29

“For every one feels to what purpose he can use his own powers. Before the horns of a calf appear and sprout from his forehead, he butts with them when angry, and pushes passionately.”
Sentit enim vis quisque suas quoad possit abuti.
cornua nata prius vitulo quam frontibus extent,
illis iratus petit atque infestus inurget.
Book V, lines 1033–1035 (tr. Bailey)
De Rerum Natura (On the Nature of Things)

Source: "On Truth," 1934, p. 28 (1961 edition)
Source: Outsiders: Studies in the Sociology of Deviance (1963), pp. 1-2.
1951; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory'
from his responding at the 1951 MoMA symposium, in which several artists were asked to respond to the prompt 'What Abstract Art Means to Me'
1950s