“It [his participating in the 7th exhibition of the Impressionists, combined with showing his work on the official Salon] isn't exactly a joy, but as I have said, it lets me out of the revolutionary side of the business, which I'm nervous of... It's a little weakness which I hope will be forgiven me [by the other impressionists]... Delacroix used to say, quite rightly, that a painter should win as many honours as possible.”

— Pierre-Auguste Renoir

Quote of Renoir's letter to Durand-Ruel, end of Feb. 1882; as cited in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 172
1880's

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Pierre-Auguste Renoir 44

French painter and sculptor 1841–1919

Frank Rutter (1876–1937) British art critic

Rutter, Frank. Art in My Time, p. 111. Rich & Cowan, London, 1933.
Rutter satirising the reaction of fans of impressionist art on seeing Cézanne's work in London in 1905.

“I can not get over everything you did for me in that first day [for his support to hang her works on the 7th Impressionist exhibition, Spring 1882], it seems to me that you are working yourself to death, and all on my account. This touches me deeply and vexes me at the same time.”

Berthe Morisot (1841–1895) painter from France

Berthe Morisot, in a letter to her husband Eugene Manet, 1882; as cited in Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, p. 120
1881 - 1895

“It is noticeable that rejection and selection no longer operate in terms of merely quality but on kind. This is exactly the situation confronting the Impressionists who attempted to show their works in the salon of 1865.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

“Bracquemond tells me that he looked attentively at my works at our exhibition. Far from objecting to them, as I expected, he said they were compactly drawn, and modeled, but he is shocked by the dots; he enjoined me to stick to divisionism but not to use the dot. - I said nothing to him of our experiments. He told me that of all the impressionist painters he liked my work best; this was not the first time he had said this; to each one his own taste. He does completely accept my view that the old disorderly method of execution has become impossible.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 23 January 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 97
1880's

“It's like Impressionism. They all do it at the Salons. Oh, very discreetly! I too was an Impressionist. I don't conceal the fact. Pissarro had an enormous influence on me. But I wanted to make out of Impressionism something solid and lasting like the art of the museums.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'

“I shall in future be obliged to resign myself to exhibiting them (her paintings) merely at the Grand Salon, Paris, of which I happen to be an Associate and the Salon de Tuileries known all over the world as the representative exhibition of Modern Art, and to which I have been invited to participate in the past, a distinction I may add that few can boast of.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Statement made when her painting was rejected by the Simla Fine Arts Society in 1935.
Sikh Heritage,Amrita Shergil

“I am settled in France, and as for the rest of my history as a painter, it is bound up with the impressionistic group.”

Camille Pissarro (1830–1903) French painter

his remark, circa 1856; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist'; by Henry G Stephens, March, 1904, p. 412-13
quote of Pissarro, after his stay of three year without success in Venezuela, and returning back to Paris
1850's + 1860's

“To select, combine and concentrate that which is beautiful in nature and admirable in art is as much the business of the landscape painter in his line as in the other departments of art.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote of Turner, c. 1810; as quoted in: Dennis Hugh Halloran (1970) The Classical Landscape Paintings of J.M.W. Turner. p. 75
1795 - 1820

“I felt that the man who strove for dignity, nobility, and honour should have his task made as difficult and as hazardous as possible, and that in particular he should be forgiven no lapses in style.”

Kenneth Burke (1897–1993) American philosopher

Source: Towards a Better Life (1966), p. 3

“I think continually of some way of painting without the dot. I hope to achieve this but I have not been able to solve the problem of dividing the pure tone without harshness... How can one combine the purity and simplicity of the dot with the fullness, suppleness, liberty, spontaneity and freshness of sensation postulated by our impressionist art? This is the question which preoccupies me, for the dot is meager, lacking in body, diaphanous, more monotonous than simple, even in the Seurat's, particularly in the Seurat's [paintings]... I'm constantly pondering this question, I shall go to the Louvre to look at certain painters who are interesting from this point of view. Isn't it senseless that there are no Turners [here]..”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, Paris, 6 September 1888, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 131-132
1880's

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Pierre-Auguste Renoir 44

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