“Shaw: Madam, would you sleep with me for a million pounds?
Actress: My goodness, Well, I'd certainly think about it
Shaw: Would you sleep with me for a pound?
Actress: Certainly not! What kind of woman do you think I am?!
Shaw: Madam, we've already established that. Now we are haggling over the price.”

Source: Again the Magic

HER ROLE AS DIRECTOR A LOT OF 'NUNSENSE' https://www.orlandosentinel.com/news/os-xpm-1988-01-31-0010310197-story.html (January 31, 1988)

Fanny's First Play, Epilogue
1910s

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

Hello Out There (1941)

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

J. B. Priestley, "The War - And After", in Horizon magazine (January 1940), reprinted in War Decade : An Anthology of the 1940s (1989) by Andrew Sinclair

Source: The Long Dark Tea-Time of the Soul (1988), Ch. 3

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