Chap. 2 : Experience and Its Modes
Experience and Its Modes (1933)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 112.
Chap. 2 : Experience and Its Modes
Experience and Its Modes (1933)
“Do you think it takes true pain to experience true pleasure?”
Source: Oh My Goth
The close of his Nobel lecture: "The Statistical Interpretations of Quantum Mechanics" (11 December 1954) http://nobelprize.org/nobel_prizes/physics/laureates/1954/born-lecture.html
Context: Can we call something with which the concepts of position and motion cannot be associated in the usual way, a thing, or a particle? And if not, what is the reality which our theory has been invented to describe?
The answer to this is no longer physics, but philosophy. … Here I will only say that I am emphatically in favour of the retention of the particle idea. Naturally, it is necessary to redefine what is meant. For this, well-developed concepts are available which appear in mathematics under the name of invariants in transformations. Every object that we perceive appears in innumerable aspects. The concept of the object is the invariant of all these aspects. From this point of view, the present universally used system of concepts in which particles and waves appear simultaneously, can be completely justified. The latest research on nuclei and elementary particles has led us, however, to limits beyond which this system of concepts itself does not appear to suffice. The lesson to be learned from what I have told of the origin of quantum mechanics is that probable refinements of mathematical methods will not suffice to produce a satisfactory theory, but that somewhere in our doctrine is hidden a concept, unjustified by experience, which we must eliminate to open up the road.
Foreword
The Still Centre (1939)
Context: A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.
Poetry does not state truth, it states the conditions within which something felt is true. Even while he is writing about the little portion of reality which is part of his experience, the poet may be conscious of a different reality outside. His problem is to relate the small truth to the sense of a wider, perhaps theoretically known, truth outside his experience.
Variant: i am convinced that no one loses anyone, because no one owns anyone.
that is the true experience of freedom:having the most important thing in the world without owning it.
Source: Eleven Minutes
