September Morn, co-written with Gilbert Bécaud
Song lyrics, September Morn (1979)
Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), pp. 59 – 64
As quoted in [Maxey, David W., 2006, A Portrait of Elizabeth Willing Powel (1743–1830), https://www.jstor.org/stable/10.2307/20020407, Transactions of the American Philosophical Society, en, 63, 4, 10.2307/20020407, harv]
“We were running with the night;
Playing in the shadows.
Just you and I,
Till the morning light.”
Running with the Night, co-written with Cynthia Weil.
Song lyrics, Can't Slow Down (1983)
Creation seminars (2003-2005), Lies in the textbooks
Preface.
Language and Silence: Essays 1958-1966 (1967)
Context: We come after. We know now that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning. To say that he has read them without understanding or that his ear is gross, is cant. In what way does this knowledge bear on literature and society, on the hope, grown almost axiomatic from the time of Plato to that of Matthew Arnold, that culture is a humanizing force, that the energies of spirit are transferable to those of conduct?
Boyoboy oboyoboy oboyoboyoboyoboyoboyoboy...
1980s
“It’s a record that I still can play to this day, and still hear new things.”
The Kate Bush Story (2014)
Context: My favourite album by her is The Dreaming, and I think she produced that one herself. That got a lot of criticism — but I loved it. It was overloaded with textures, and tones and all manner of things. It’s a record that I still can play to this day, and still hear new things.
“Day
Play
We play all day.
Night
Fight
We fight all night.”
Source: Hop On Pop
No. 40, st. 1.
Last Poems http://www.gutenberg.org/dirs/etext05/8lspm10.txt (1922)
