
Disdain Returned, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Literary Years and War (1900-1918), The Riddle Of The Sands (1903), p. 91.
Disdain Returned, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“When the young die I am reminded of a strong flame extinguished by a torrent; but when old men die it is as if a fire had gone out without the use of force and of its own accord, after the fuel had been consumed”
Itaque adulescentes mihi mori sic videntur, ut cum aquae multitudine flammae vis opprimitur, senes autem sic, ut cum sua sponte nulla adhibita vi consumptus ignis exstinguitur; et quasi poma ex arboribus, cruda si sunt, vix evelluntur, si matura et cocta, decidunt, sic vitam adulescentibus vis aufert, senibus maturitas; quae quidem mihi tam iucunda est, ut, quo propius ad mortem accedam, quasi terram videre videar aliquandoque in portum ex longa navigatione esse venturus.
section 71 http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2007.01.0039%3Asection%3D71
Cato Maior de Senectute – On Old Age (44 BC)
Context: When the young die I am reminded of a strong flame extinguished by a torrent; but when old men die it is as if a fire had gone out without the use of force and of its own accord, after the fuel had been consumed; and, just as apples when they are green are with difficulty plucked from the tree, but when ripe and mellow fall of themselves, so, with the young, death comes as a result of force, while with the old it is the result of ripeness. To me, indeed, the thought of this "ripeness" for death is so pleasant, that the nearer I approach death the more I feel like one who is in sight of land at last and is about to anchor in his home port after a long voyage.
“The ultimate compound return rate is acutely sensitive to fat tails.”
Part Six, Blowing Up, Survival Motive, p. 297
Fortune's Formula (2005)
Independence Day speech (1828)
Context: In continental Europe, of late years, the words patriotism and patriot have been used in a more enlarged sense than it is usual here to attribute to them, or than is attached to them in Great Britain. Since the political struggles of France, Italy, Spain, and Greece, the word patriotism has been employed, throughout continental Europe, to express a love of the public good; a preference for the interests of the many to those of the few; a desire for the emancipation of the human race from the thrall of despotism, religious and of the human race from the thrall of despotism, religious and civil; in short, patriotism there is used rather to express the interest felt in the human race in general, than that felt for any country, or inhabitants of a country, in particular. And patriot, in like manner, is employed to signify a lover of human liberty and human improvement, rather than a mere lover of the country in which he lives, or the tribe to which he belongs. Used in this sense, patriotism is a virtue, and a patriot a virtuous man. With such an interpretation, a patriot is a useful member of society, capable of enlarging all minds, and bettering all hearts with which he comes in contact; a useful member of the human family, capable of establishing fundamental principles, and of merging his own interests, those of his associates, and those of his nation, in the interests of the human race. Laurels and statues are vain things, and mischievous as they are childish; but, could we imagine them of use, on such a patriot alone could they be with any reason bestowed.
“for we women are not only the deities of the household fire, but the flame of the soul itself.”
Source: The Home and the World
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1950s-1990s
Context: The artist must learn the difference between the appearance of an object and the interpretation of this object through his medium. The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.
From The Collected Poems of Amy Carmichael, CLC, Fort Washington, USA 1999, ISBN 0-87508-790-6.
“Yet all does the sire himself ruthlessly condemn to the murky flames, and bid his own signs of rank be borne withal, if by their loss he may sate his devouring grief.”
Cuncta ignibus atris
damnat atrox suaque ipse parens gestamina ferri,
si damnis rabidum queat exaturare dolorem.
Source: Thebaid, Book VI, Line 81 (tr. J. H. Mozley)