“The romantic intoning, the declaimed clairvoyance
Are parts of apotheosis, appropriate
And of its nature, the idiom thereof.”

—  Wallace Stevens

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The romantic intoning, the declaimed clairvoyance Are parts of apotheosis, appropriate And of its nature, the idiom t…" by Wallace Stevens?
Wallace Stevens photo
Wallace Stevens278
American poet 1879–1955

Related quotes

Peter Medawar photo

“There is much else in the literary idiom of nature-philosophy: nothing-buttery, for example, always part of the minor symptomatology of the bogus.”

Peter Medawar (1915–1987) scientist

1960s, Review of Teilhard de Chardin's "The Phenomenon of Man", 1961

Friedrich Nietzsche photo

“Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Anthony Burgess photo

“The consciousness in [Australia and New Zealand] of the elevation of a substandard dialect into a national tongue has been responsible for a mixture of attitudes to citizens of the mother country - inferiority, defiance, contempt. A blending of the first two may be responsible for the upward intonation pattern of answers, more appropriate to questions…. slang is of its nature defiant. It is also demotic…. But the ruling class of Australia is itself demotic.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

Giordano Bruno photo

“Given that annihilation of nature in its entirety is impossible, and that death and dissolution are not appropriate to the whole mass of this entire globe or star, from time to time, according to an established order, it is renewed, altered, changed, and transformed in all its parts.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

Fifth Dialogue
The Ash Wednesday Supper (1584)

Patrick Modiano photo

“Like many writers before me, I believe in coincidence and, sometimes, in the novelist’s gift for clairvoyance- the word gift not being the right one, for it implies a kind of superiority. Clairvoyance is simply the part of profession: the essential leaps of imagination, the need to fix one’s mind on detail-to the point of obsession, in fact, so as not to lose the thread and to give in one’s natural laziness. All the, is tension, this cerebral exercise may well lead in the long run to “flashes of intuition concerning events past and future”, as defined by Larousse dictionary under “clairvoyance.””

Patrick Modiano (1945) French writer

Source: The Search Warrant (2000), pp. 47-48

Gilbert Ryle photo

“A myth is, of course, not a fairy story. It is the presentation of facts belonging to one category in the idioms appropriate to another. To explode a myth is accordingly not to deny the facts but to re-allocate them.”

Gilbert Ryle book The Concept of Mind

Introduction
The Concept of Mind (1949)

George Holmes Howison photo

“And as the ideal in the whole of Nature moves in an infinite process toward an Absolute Perfection, we may say that art is in strict truth the apotheosis of Nature. Art is thus at once the exaltation of the natural toward its destined supernatural perfection, and the investiture of the Absolute Beauty with the reality of natural existence. Its work is consequently not a means to some higher end, but is itself a final aim; or, as we may otherwise say, art is its own end. It is not a mere recreation for man, a piece of by-play in human life, but is an essential mode of spiritual activity, the lack of which would be a falling short of the destination of man. It is itself part and parcel of man's eternal vocation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183-4

Mark Tobey photo

“Now it seems to me that we are in a universalising period... If we are to have world peace, we should have an understanding of all the idioms of beauty because the members of humanity who have created these idioms of beauty are going to be a part of us. And I would say that we are in a period when we are discovering and becoming acquainted with these idioms for the first time.”

Mark Tobey (1890–1976) American abstract expressionist painter

Modern Artists in America, R. Motherwell, A. Reinhardt and B. Karpel, First series, New York 1952, p. 28
1950's

Leonardo Da Vinci photo

“Those men who are inventors and interpreters between Nature and Man, as compared with boasters and declaimers of the works of others, must be regarded and not otherwise esteemed than as the object in front of a mirror, when compared with its image seen in the mirror. For the first is something in itself, and the other nothingness.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Folks little indebted to Nature, since it is only by chance that they wear the human form and without it I might class them with the herds of beasts.
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Ludwig Wittgenstein photo

“A proposition is completely logically analyzed if its grammar is made completely clear: no matter what idiom it may be written or expressed in…”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Philosophical Remarks (1930), Part I (1)
1930s-1951

Related topics