“Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between.”

Megan Fox: 'Biggest Nerd', likes comic books, men over girlfriends http://www.news.com.au/news/foxy-megan-biggest-nerd/story-fna7dq6e-1111117553949, 23 September 2008

Source: Rejection, Scares, and Ryan Gosling: Looking Back at Nickelodeon’s “Are You Afraid of the Dark?” https://www.complex.com/pop-culture/2014/10/interview-are-you-afraid-of-the-dark-dj-machale (October 30, 2014)

1958
1960's, Talks with Seventeen Artists, 1962

On Frida Kahlo's work and her own
Bill Moyers interview (2002)
Context: She painted what she painted because she had to, because she was passionate about it. She didn't care at all if people bought her paintings. As she said, she painted her reality.
I find that I make as an artist the kind of choices that I have to be impassioned about. I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself. That's a difference.
Frida painted her own reality, her life. I'm a director and I paint many other people... Other people's realities. But I do have to invest in it.

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120

1960's, I never thought of it as much of an ability,' (1968)

How I Wrote the Tarzan Books (1929)