“The beat must not be like a tyrannical hammer, impeding or urging on, but must be to the music what the pulse-beat is to the life of man. There is no slow tempo in which passages do not occur that demand a quicker motion, so as to obviate the impression of dragging. Conversely there is no presto that does not need a quiet delivery by many places, so as not to throw away the chance of expressiveness by hurrying… Neither the quickening nor the slowing of the tempo should ever give the impression of the spasmodic or the violent. The changes, to have a musical-poetic significance, must come in an orderly way in periods and phrases, conditioned by the varying warmth of the expression. We have in music no signs for all this. They exist only in the sentient soul. If they are not there, then there is no help to be had from the metronome – which obviates only the grosser errors – nor from these extremely imperfect precepts of mine.”

So Quiet In Here
Song lyrics, Enlightenment (1990)

Explaining his use of "inner voice" speech during his stand-up routines — interview in Michael Corcoran (February 18, 2007) "When studios need a doofus, Jim Gaffigan is their main man", Austin American-Statesman, p. J01.

This second version of Peggy Sanger's death quoted in Margaret Sanger: A Life of Passion, (2012), Jean H. Baker, Hill and Wang, New York, p. 103. https://www.google.com/#q=%22Peggy+was+sleeping.+Her+pulse+was+so+soft+and+slow%22&tbm=bks
Context: Peggy was sleeping. Her pulse was so soft and slow. I was unable to realize that the end was near and had my fingers on her ankle to get the pulse when before my eyes arose another Peggy horizontally sleeping [who] rose about a foot or more—fluttering and quivering a moment as if taking leave of its bondage and slowly and majestically [she] soared and floated across the bed and out through the iron closed door... Peggy had left for the great unknown and beyond.

Reported in Jon Blistein, " Keith Richards: Rap Is for 'Tone-Deaf People' http://www.rollingstone.com/music/news/keith-richards-rap-is-for-tone-deaf-people-20150903", Rolling Stone (September 3, 2015).

Fernand Léger – Das Figürliche Werk, exhibition catalogue, Köln, 1978, p. 52
Quotes of Fernand Leger, 1970's

"Abuse of Words" http://www.gutenberg.org/files/35621/35621-h/35621-h.htm (1764)
C.f. Locke: "The names of simple ideas are not capable of any definition; the names of all complex ideas are. It has not, that I know, been yet observed by anybody what words are, and what are not, capable of being defined; the want whereof is (as I am apt to think) not seldom the occasion of great wrangling and obscurity in men's discourses, whilst some demand definitions of terms that cannot be defined; and others think they ought not to rest satisfied in an explication made by a more general word, and its restriction, (or to speak in terms of art, by a genus and difference), when, even after such definition, made according to rule, those who hear it have often no more a clear conception of the meaning of the word than they had before."
An Essay Concerning Human Understanding (1689) Book III http://oregonstate.edu/instruct/phl302/texts/locke/locke1/Book3.html, chapter 4
Citas, Dictionnaire philosophique (1764)

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

Poem Ode upon Eckington Bridge, River Avon, in Poems and Ballads, 1896

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona