“Of the Russian pianists I like only one, Richter. Gilels did some things well, but I did not like his mannerisms, the way he moved around while he was playing.”

quoted in Harold C. Schonberg, Horowitz: his life and music

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Vladimir Horowitz6

American classical pianist and composer 1903–1989

Emil Gilels (1916–1985) Soviet pianist

Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music

“He [Gilels] played in an easy, natural manner, with strong but unassuming musicianship. His technique was brilliant; years later Neuhaus, still astonished, was to recall Gilels's incredible octaves in Liszt's Spanish Rhapsody. Yet Gilels was never looked upon as a mere virtuoso. As a matter of fact, his programs did not often include music pour epater le bourgeois. He played a stedy diet of Beethoven (the Hammerklavier was a work that strongly engaged his last years), Schubert, Schumann, Chopin and Brahms. In many respects, the great virtuoso who put his authoritative stamp on whatever he played was, at the same time, a thinking man's pianist.”

Emil Gilels (1916–1985) Soviet pianist

Harold C. Schonberg, The Great Pianists

“I liked him [Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

and I said, "Yes, I do mean it."
Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music (1992)
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“I liked him [Arthur Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Vladimir Horowitz (1903–1989) American classical pianist and composer

and I said, "Yes, I do mean it."
quoted in Harold C. Schonberg, Horowitz: his life and music

“.. you see they hung my painting here [on her show 'Wind', 2009] I did that in the early 1990s. People never really liked them so much back then, they thought they looked more like photographs. Actually, I was doing them when I was still married to Gerhard Richter [till 1993], and it was somehow in relation to what he was doing, you know, these kind of side-to-side gestural abstracts – done like this [gestures as if pulling a squeegee over a surface from one side to the other] like paintings of the 1950s. Mine were called 'Basic Research', they were rubbings of oil paint on canvas – frottages of the floor of my studio. I did quite a few of these. [Gerhard] Richter put one up in his studio for some time... But he found it too hard and then took it out after a while.”

Isa Genzken (1948) German sculptor

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

“It was the eyes that did it. [timid giggle] I liked the way he painted eyes and he liked mine.”

Margaret Keane (1927) American artist

Stated at a time when Margaret Keane was still going along with the fraud that her husband was the painter of the Big Eyed waifs. <br class="br">Cited by Jane Howard, " The Man Who Paints Those Big Eyes: The Phenomenal Success of Walter Keane https://books.google.com/books?id=WFMEAAAAMBAJ&pg=PA39," LIFE 59, no. 9 (27 August 1965), p. 45. <br class="br">1965, Cited by Jane Howard

“My thoughts ran a wool-gathering; and I did like the countryman who looked for his ass while he was mounted on his back.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 57.

“I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

“I did not like the colonel at all. He had eyes like razors…the eyes of a machine. An educated machine… I realised he was drinking less than we were…And that he was playing with me. That he was a realist… Also that Anton was careless with his tongue…”

John Fowles book Daniel Martin

Daniel Martin (1977)

“Donald Conroy is the only person I have ever known whose self-esteem was absolutely unassailable. There was not one thing about himself that my father did not like, nor was there one thing about himself that he would change. He simply adored the man he was and walked with perfect confidence through every encounter in his life. Dad wished everyone could be just like him. His stubbornness was an art form. The Great Santini did what he did, when he wanted to do it, and woe to the man who got in his way. Once I introduced my father before he gave a speech to an Atlanta audience. I said at the end of the introduction, "My father decided to go into the Marine Corps on the day he discovered his IQ was the temperature of this room."”

Pat Conroy (1945–2016) American novelist

My father rose to the podium, stared down at the audience, and said without skipping a beat, "My God, it's hot in here! It must be at least 180 degrees".
Eulogy for a Fighter Pilot (1998)

“Of the Russian pianists I like only one, Richter. Gilels did some things well, but I did not like his mannerisms, the way he moved around while he was playing.”

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Vladimir Horowitz6

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