“[Is "90 Millas" another crossover -- into World Music? ] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?”

www.huffingtonpost.com (September 7, 2007)
2007, 2008

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Gloria Estefan195

Cuban-American singer-songwriter, actress and divorciada 1957

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“The world is filled with people who are no longer needed -- and who try to make slaves of all of us -- and they have their music and we have ours.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

“It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

news release (July 20, 2007)
2007, 2008

“My motivation is that inner driving force within me to share my music with the world. I want to get my music out there so I can inspire people just as I have been inspired through music. Music makes you feel; whether it’s happy, sad, or a million different emotions which come to mind, music can invoke those feelings. That’s inspiration to me. ”

Мэдисон Роуз

“[The hardest thing about '90 Millas' was the concept of] combining the old and the new without losing the authenticity. The simple solution, of course, would have been to record covers. [But] emotionally it wouldn't have been the same We left Cuba as children: Gloria was 1, I was 14. So, there ia a part that does exist in nostalgia, but a the same [time] there is another part that is contemporary music that we've made all over the world.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Emilio Estefan, Reuters (July 23, 2007)
2007, 2008

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

“The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.”

Hubert Selby Jr. Requiem for a Dream

Source: Requiem for a Dream

“We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.”

Hazrat Inayat Khan (1882–1927) Indian Sufi

“We’re from Germany but we grew up with English and American music which was such a strong inspiration for the young band. Very early on, in the Seventies, we went to England and France, to Japan and America, we toured and then became an international band. I think our music was never German, it’s always had this Anglo-American influence – we never tried to be a German band! We are Germans, yes, but not in our music. When we grew up, there was schlager music, this pop music kind of thing.”

Klaus Meine (1948) German singer

“If you read about African music, they believe that during the process of making this music that you come into contact with spirits from another plane. They say that this place is like a mirror of the world we live in…With the best music, you don't find the composer or the musicians within the work, you find yourself, your own feelings.”

Lisa Gerrard (1961) Australian musician, singer and composer

Source http://www.examiner.com/article/cinematic-melodies-elegy-by-lisa-gerrard

“Music is so important to us. We hear music from the moment we are born, often via lullabies, and through many of the most important occasions in our lives, from graduations to weddings to funerals. There is something about music that seems to bring us closer to each other and help us come together as a community.
Humans are wired for music. Researchers recently discovered that we have a dedicated part of our brain for processing music, supporting the theory that it has a special, important function in our lives.
Listening to music and singing together has been shown in several studies to directly impact neuro-chemicals in the brain, many of which play a role in closeness and connection. Now new research suggests that playing music or singing together may be particularly potent in bringing about social closeness through the release of endorphins.
Through singing, drumming, and dancing—all resulted in participants having higher pain thresholds (a proxy measure for increased endorphin release in the brain) in comparison to listening to music alone. In addition, the performance of music resulted in greater positive emotion, suggesting one pathway through which people feel closer to one another when playing music together is through endorphin release.”

Stephie Pahlavi Zan

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