“I became a writer when I began to take it seriously.”

“It's one of the reasons I became a writer, to be able to smoke in peace.”

“The creative writer does the same as the child at play; he creates a world of fantasy which he takes very seriously.”

“How I began to write is different than how I became a writer. They are two different things. Many people write but they do not become writers. To become a writer is a job. It involves planning and it affects all parts of your life. Even what you eat—being a writer means not eating food with too much rich sauce to avoid taking a long afternoon nap! It’s like being a professional athlete. And a writer must choose between being a sprinter who writes a book, and being a writer who creates an oeuvre. If you want to create an oeuvre, you have to be careful not to put all your energy into the first book. You have to have a vision for the long term...”

“I had barely sat down when he began to tell me… that science writers were "ignoramuses" and a "terrible breed" who invariably got things wrong: only scientists were really qualified to present their work to the masses. As time went on, I felt less offended, since it became clear that Gell-Mann held most of his scientific colleagues in contempt as well.”

“I'm just an alcoholic who became a writer so that I would be able to stay in bed until noon.”

“I don't ask writers about their work habits. I really don't care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they're actually trying to find out, "Is he as crazy as I am?"”

“A writer? What education did I receive? None. Where did I study? Nowhere. What did I study? It does not matter. I nonetheless became a writer immediately, because I wrote more than I have ever read; hence I thought more than I had food for thought.”

“When I started the paperback market, there were only a few good writers, now the market's loaded… you don't know which one to take.”

“Writers take words seriously — perhaps the last professional class that does — and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader.”