Hans Hofmann (1880–1966) American artist
'Painting and Culture' p. 55
Search for the Real and Other Essays (1948)
'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)
Hans Hofmann (1880–1966) American artist
'Painting and Culture' p. 55
Search for the Real and Other Essays (1948)
L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister
The Usurpation Of Language (1910)
“All art is the expression of experience in some medium.”
Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India
Internet Encyclopedia of Philosophy
Hans Hofmann (1880–1966) American artist
'Search for the Real in the Visual Arts', p. 46
Search for the Real and Other Essays (1948)
Hans Hofmann (1880–1966) American artist
'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)
Hans Hofmann (1880–1966) American artist
'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)
Paul Davies book God and the New Physics
Source: God and the New Physics (1983), Ch. 17: 'The physicist's conception of nature', p. 223
Hans Hofmann (1880–1966) American artist
'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)
Man Ray (1890–1976) American artist and photographer
As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.
Hans Hofmann (1880–1966) American artist
As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s