“The artist's business requires his involvement in practically everything. He works in reference, not to a section of the world, but to the whole world.”

“Bosh," he said, "On what else is the whole world run but immediate impressions? What is more practical? My friend, the philosophy of this world may be founded on facts, but its business is run on spiritual impressions and atmospheres.”

“All human activity takes place within a culture and interacts with culture. For an adequate formation of a culture, the involvement of the whole man is required, whereby he exercises his creativity, intelligence, and knowledge of the world and of people. Furthermore, he displays his capacity for self-control, personal sacrifice, solidarity and readiness to promote the common good.”

“To all this, his illustrious mind reflects the noblest ornament; he places no part of his happiness in ostentation, but refers the whole of it to conscience; and seeks the reward of a virtuous action, not in the applauses of the world, but in the action itself.”
Ornat haec magnitudo animi, quae nihil ad ostentationem, omnia ad conscientiam refert recteque facti non ex populi sermone mercedem, sed ex facto petit.

“We’re creators by permission, by grace as it were. No one creates alone, of and by himself. An artist is an instrument that registers something already existent, something which belongs to the whole world, and which, if he is an artist, he is compelled to give back to the world.”

“One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public.
Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsbility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence — in destitution, in prison, in sickness — his sense of stable harmony never deserts him.
But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings — they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers.”

“The artist works by locating the world in himself”

“Fox Business bigwigs are said to be perturbed by a very special guest on the fledgling biz channel the other night - Pricasso, the world's greatest penile artist. That's right, he paints portraits with his private parts.”

“The whole world and every human being in it is everybody's business.”

“An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him. Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.”