
On her creation process in “Q & A with Jen Wang” https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/81155-q-a-with-jen-wang.html in Publishers Weekly (2019 Sep 12)
Song lyrics, Tender Prey (1988), The Mercy Seat
On her creation process in “Q & A with Jen Wang” https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/81155-q-a-with-jen-wang.html in Publishers Weekly (2019 Sep 12)
Life in the Industry: A Musician's Diary
Love and Death (1975)
Variant: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 171.