“In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.”

—  Gabriel García Márquez

Source: The Paris Review interview (1981), p. 322

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now…" by Gabriel García Márquez?
Gabriel García Márquez photo
Gabriel García Márquez 218
Colombian writer 1927–2014

Related quotes

Ernest Hemingway photo

“I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence you know."”

Ernest Hemingway book A Moveable Feast

Source: A Moveable Feast (1964), Ch. 2

Michel Foucault photo

“I don't feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning. If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for a love relationship is true also for life. The game is worthwhile insofar as we don't know what will be the end. My field is the history of thought. Man is a thinking being.”

Michel Foucault (1926–1984) French philosopher

Truth, Power, Self : An Interview with Michel Foucault (25 October 1982)

Gene Wolfe photo

“Now I must, I suppose, explain why I have been writing this account. […] I have written to disclose myself to myself, and I am writing now because I will, I know, sometime read what I am now writing and wonder. Perhaps by the time I do, I will have solved the mystery of myself, or perhaps I will no longer care to know the solution.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Fiction, "The Fifth Head of Cerberus", Orbit 10 (1972)

Ernest Hemingway photo

“You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know”

Ernest Hemingway book A Moveable Feast

Source: A Moveable Feast

Jamaica Kincaid photo

“Everything I do is because of writing. If I go for a walk, it’s because I’m thinking of writing. I go look at flowers, I go look at the garden, I go look at a museum, but it’s all coming back to writing. I don’t really do anything that isn’t about writing, and I don’t really know who I am if I’m not thinking about writing.”

Jamaica Kincaid (1949) Antiguan-American novelist, essayist, gardener, and gardening writer

On her obsession with writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

Donna Tartt photo

“I don’t think it’s a good idea for a writer to psychoanalyze herself or try to explain why she writes what she writes—it’s a reductive way of looking at oneself and one’s work. Readers really participate in the writing of a book. As a writer I’m giving the reader signs to help create the story with me. The reader is bringing his or her own memories, intelligence, preconceptions, prejudices, likes, dislikes. So the characters in your copy of the book are going to look and sound different than in mine. I have my own ideas, but once the book is out there it’s not really mine anymore, and my own idea isn’t any more valid than yours. And then I begin the long process of disengaging.”

Donna Tartt (1963) American writer

On how writers should avoid analyzing their own work in “Donna Tartt on The Goldfinch, Inspiration, and the Perils of Literary Fame” https://www.townandcountrymag.com/leisure/arts-and-culture/a29022016/donna-tartt-goldfinch-interview/ in Town & Country (2019 Sep 12)

“I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant.”

Madeleine L'Engle (1918–2007) American writer

The Expanding Universe (1963)
Context: I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.
A writer of fantasy, fairly tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant.
Very few children have any problem with the world of the imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it.

“I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.”

Roger Zelazny (1937–1995) American speculative fiction writer

On how he would like to be remembered (1994)
Context: Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.

Michel Foucault photo

“I don't write a book so that it will be the final word; I write a book so that other books are possible, not necessarily written by me.”

Michel Foucault (1926–1984) French philosopher

“One of the most terrifying aspects of publishing stories and books is the realization that they are going to be read, and read by strangers. I had never fully realized this before, although I had of course in my imagination dwelt lovingly upon the thought of the millions and millions of people who were going to be uplifted and enriched and delighted by the stories I wrote. It had simply never occurred to me that these the millions and millions of people might be so far from being uplifted that they would sit down and write me letters I was downright scared to open; of the three-hundred-odd letters that I received that summer I can count only thirteen that spoke kindly to me, and they were mostly from friends. Even my mother scolded me: "Dad and I did not care at all for your story in The New Yorker," she wrote sternly; "it does seem, dear, that this gloomy kind of story is what all you young people think about these days. Why don't you write something to cheer people up?"”

Shirley Jackson (1916–1965) novelist, short story writer

Lecture (1960); printed in her collection, Come Along with Me (1968)

Related topics