Modern Painter's World, ed. Robert Motherwell , Dyn, Nov. 1942, p. 9
1940s
“We write in the language of Dryden and Addison, of Milton and Shakespeare, but the intellectual world we inhabit is that of Flaubert and Baudelaire; it is to them, and not to their English contemporaries, that we owe our conception of modern life. The artist whose reward is perfection and where perfection can be obtained only by a separation of standards from those of the non-artist is led to adopt one of four rôles: the High Priest (Mallarmé, Joyce, Yeats), the Dandy (Firbank, Beerbohm, Moore), the Incorruptible Observer (Maugham, Maupassant) or the Detached Philosopher (Strachey, Anatole France). What he will not be is a Fighter or Helper.”
—
Cyril Connolly
,
book
Enemies of Promise
Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 4: The Modern Movement (p. 30)
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