“The bright moon shines between the pines.
The crystal stream flows over the pebbles.”

The Crystal Cabinet, st. 2
1800s, Poems from the Pickering Manuscript (c. 1805)

(2nd October 1824) The Lake
The London Literary Gazette, 1824

"Written at Mauve Garden: Pine Wind Terrace" (tr. Y. N. Chang and Lewis C. Walmsley), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 477; also in The Luminous Landscape: Chinese Art and Poetry, ed. Richard Lewis (1981), p. 57.

"Thoughts on a Still Night" (静夜思); in Jean Ward's Li T'ai-po: Remembered (2008), p. 99
Variant: Variant translation:
Before my bed the moonlight glitters
Like frost upon the ground.
I look up to the mountain moon,
Look down and think of home.
Source: "Quiet Night Thought", in Classical Chinese Literature: An Anthology of Translations (2000), p. 723

St. 2
Fern Hill (1946)

Source: The Merchant of Venice

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Goddelijk heerlijk schoon dat Wolfhezerland met zijne beekje en dennen..
In a letter to Willem Maris, 1863; as cited in: 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31
1860's

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 31.

"Bamboo Grove" (竹里馆), as translated by Arthur Sze in The Silk Dragon: Translations from the Chinese (2013), p. 19
Variant translation:
Lying alone in this dark bamboo grove,
Playing on a flute, continually whistling,
In this dark wood where no one comes,
The bright moon comes to shine on me.
"In a Bamboo Grove" in The White Pony, ed. Robert Payne, p. 151