“It was very personal. Political comes from the viewing process. Nothing is ever political if it's genuine. In the reaction, yes, it can be political. But the motives were based completely on a deep need to communicate and share information. The film language has evolved enough that you should get people interacting with the film. It's exciting for us to exhibit it, and it's exciting for people to watch it…I think it's very important for the gay community to have random characters that represent nothing more than people…I think it's part of a wave that will set a precedent of some sort so that you will no longer need a label.”

— River Phoenix

On My Own Private Idaho, The Face, (1992)

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American actor, musician, and activist 1970–1993

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“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

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“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

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Statement made during a calligraphy activity in Grand Hotel in Taipei, 1 January 2014.
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