“The Wahabis, followers of a fanatical Moslem heresy, had imposed their strict rules on easy and civilized Kasim. In Kasim there was but little coffee-hospitality, much prayer and fasting, no tobacco, no artistic dalliance with women, no silk clothes, no gold and silver head-ropes or ornaments. Everything was forcibly pious or forcibly puritanical.
It was a natural phenomenon, this periodic rise at intervals of little more than a century, of ascetic creeds in Central Arabia. Always the votaries found their neighbours' beliefs cluttered with inessential things, which became impious in the hot imagination of their preachers. Again and again they had arisen, had taken possession, soul and body, of the tribes, and had dashed themselves to pieces on the urban Semites, merchants and concupiscent men of the world. About their comfortable possessions the new creeds ebbed and flowed like the tides or the changing seasons, each movement with the seeds of early death in its excess of Tightness. Doubtless they must recur so long as the causes — sun, moon, wind, acting in the emptiness of open spaces, weigh without check on the unhurried and uncumbered minds of the desert-dwellers.”

Book I, Ch. 1
Joseph Andrews (1742)

Instructions to military units (19 October 1935).
My Life and Ethiopia's Progress (1976)
Context: In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours. When we return, with God's help, you can wear your gold and silver decorations then. Now it is time to go and fight. We offer you all these words of advice in the hope that no great harm should befall you through lack of caution. At the same time, We are glad to assure you that in time of war We are ready to shed Our blood in your midst for the sake of Ethiopia's freedom...

1963, Speech at Amherst College
Context: The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fibre of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Bag it Up
Dig Out Your Soul (2008)

Source: Lucky

Writing in The Nation (Irish newspaper), 18 November, 1843.

The Innocence of Father Brown (1911) The Queer Feet
The Father Brown Mystery Series (1910 - 1927)

Source: Making Money