“With regard to the diagonal, too, I am in complete agreement with you [with Theo van Doesburg ]. As soon as it appears together with straight [horizontal and vertical] lines, I believe it should be condemned... A while back I started a thing entirely in diamonds [diamond-shape] like this [his sketch in the letter of several diamond-forms]. I have to find out if it's possible: intellectually I'm inclined to say it is. There's something to be said for the idea, because perpendicular and flat lines can be seen everywhere in nature; by using a diagonal line I would be canceling that out. But I'm inclined to say that this cannot be combined with perpendicular and flat lines or with different kinds of slanting lines.”

— Piet Mondrian

quote about the growing controversy between Mondrian and Van Doesburg. concerning the use of diagonal lines
Source: quote from a letter of Mondrian to Theo van Doesburg, undated, c. May 1918; as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 120

Adopted from Wikiquote. Last update Jan. 4, 2022. History

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Piet Mondrian 95

Peintre Néerlandais 1872–1944

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“However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“It may be noted that in Neo-Plastic art the crucial thing is the right angel, that is, the right-angle lines. And not whether the position of the lines is vertical or horizontal... So it is possible to make very beautiful things while placing the lines in a diagonal position.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'Neo-Plasticism: Home – Street – City', Piet Mondriaan, 'i 10', Jan. 1927
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A vision of ecstasy
When you hold me, I'm alive
We're like diamonds in the sky
At first sight I felt the energy of sun rays
I saw the life inside your eyes

So shine bright, tonight you and I
We're beautiful like diamonds in the sky
Eye to eye, so alive
We're beautiful like diamonds in the sky

Shine bright like a diamond
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Shining bright like a diamond
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“Criticism, like so many other things, keeps to what has been said before and does not get out of the rut. This business of the 'Beautiful' some see it in curved lines, some in straight lines, but all persist in seeing it as a matter of line. I am now looking out of my window and I can see the most lovely countryside; lines just do not come into my head: the lark is singing, the river sparkles with a thousand diamonds, the leaves are whispering; where, I should like to know, are the lines that produce delicious impressions like these? They refuse to see proportion or harmony except between two lines: all else they regard as chaos, and the dividers alone are judge.”

Eugène Delacroix (1798–1863) French painter

Quote from a letter to Léon Peisse, 15 July 1949; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
this quote refers to Delacroix's refusal to use the line as boundary of the form in his painting art, as a too sharp dividing force in the picture - in contrast to the famous classical painter in Paris then, Ingres
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“She smiled and said with an ecstatic air: "It shines like a little diamond",
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“I never hated a man enough to give him his diamonds back.”

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“I am all at once what Christ is, ' since he was what I am, and
This Jack, joke, poor potsherd, ' patch, matchwood, immortal diamond,
Is immortal diamond.”

Gerard Manley Hopkins (1844–1889) English poet

" That Nature is a Heraclitean Fire and of the Comfort of the Resurrection http://www.bartleby.com/122/48.html", lines 22-24
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“I believe that it is possible by means of horizontal and vertical lines, constructed 'consciously' but not 'calculating', guided by a higher intuition and brought to harmony and rhythm – I believe that these fundamental aesthetic shapes – where necessary supplemented by lines in other directions or curved lines, make it possible to arrive at a work of art which is as strong as it is true. For anyone who sees more deeply, there is nothing vague about this; it is only vague for the superficial observer of nature. And 'chance' must be as far removed as 'calculation'. And for the rest it seems to me that it is necessary to keep breaking off the horizontal or vertical line: for if these directions were not countered by others, they would themselves come to signify something 'specific' and thus human.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
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“I wanted that diamond because it is incomparably lovely. And it should be on the loveliest woman [Elizabeth Taylor] in the world.”

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“Shall we go, you and I, while we can? Through… the transitive nightfall of diamonds”

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Piet Mondrian 95

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