“As some of you know, I some years ago — a few — painted a picture of Mr. Whitman. I began in the usual way, but soon found that the ordinary methods wouldn't do — that technique, rules and traditions would have to be thrown aside; that before all else, he was to be treated as a man, whatever became of what are commonly called the principles of art.”
Testimonial dinner, Camden NJ, for Walt Whitman on his seventy-second birthday (1891-05-31) .
Help us to complete the source, original and additional information
Thomas Eakins19
American painter 1844–1916Related quotes
Barry Hines (1939–2016) British author
On A Kestrel for a Knave
Barry Hines Interview: Homecoming Hero
Hendrik Willem Mesdag (1831–1915) painter from the Northern Netherlands
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag, in het Nederlands:) En zie je, als mijn vrouw zo'n veertig jaar geleden niet gezegd had: doe 't maar, laten we maar gaan naar Brussel om te gaan studeren in schilderen, bij o.a. nl:Willem Roelofs, dan was 'k waarschijnlijk nooit uit mijn zaken getrokken.
Quote of Mesdag; as cited by nl:Marie Joseph Brusse, in his article 'Onder de menschen. Een gouden schilders-bruiloft', in Nieuwe Rotterdamsche Courant', 11 March, 1906
after 1880
Lucian Freud (1922–2011) British painter and engraver
Interview with Martin Gayford, Independent on Sunday 26 May 2002
Other
Phillip Guston (1913–1980) American artist
Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95
Robert Rauschenberg (1925–2008) American artist
1950's, Is today's artist with or against the past, (1958)
Sylvia Plath book The Bell Jar
Variant: The same thing happened over and over: I would catch sight of some flawless man in the distance, but as soon as he moved closer I immediately saw he wouldn’t do at all.
Source: The Bell Jar
Roger Zelazny (1937–1995) American speculative fiction writer
On how he would like to be remembered (1994)
Context: Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.