“All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.”

— Henry Moore

Elizabeth Day, "The Moore Legacy," http://www.guardian.co.uk/artanddesign/2008/jul/27/1 The Observer (2008-07-27), <br class="br">Henry Moore is quoted here by Mary Moore, the artist's niece <br class="br">1970 and later

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Henry Moore44

English artist 1898–1986

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“At lucky moments this emanation could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking, he could finally be taken to those areas which also had moved me so deeply and made me think I should draw the attention of others to it.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1988
1981 - 1990
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 26

“Music comes first; lyrics are secondary. Most of my lyrics are contradictions. I'll write a few sincere lines, and then I'll have to make fun of [them]. I don't like to make it too obvious, because if it is too obvious, it gets really stale. You shouldn't be in people's faces 100% all the time. We don't mean to be really cryptic or mysterious, but I just think that lyrics that are different and weird and spacey paint a nice picture. It's just the way I like art.”

Kurt Cobain (1967–1994) American musician and artist

Date unknown, but appears on Live! Tonight! Sold Out!!.
Interviews (1989-1994), Video

“You can't make a sculpture, in my opinion, without involving your body. You move and you feel and you breathe and you touch. The spectator is the same. His body is involved too. If it's a sculpture he has to first of all sense gravity. He's got two feet. Then he must walk and move and use his eyes and this is a great involvement. Then if a form goes in like that – what are those holes for? One is physically involved and this is sculpture. It's not architecture. It's rhythm and dance and everything. It's do with swimming and movement and air and sea and all our well-being. Sculpture is involved in the body living in the spirit or the spirit living in the body, whichever way you like to put it.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 21

“And here Bartleby makes his home, sole spectator of a solitude which he has seen all populous- a sort of innocent and transformed Marius brooding among the ruins of Carthage!”

Herman Melville book Bartleby, the Scrivener

Bartleby, the Scrivener (1853)

“I have always said that, with any sculpture, you have to be able to say, 'although this is not a ready-made, it could be one'. That's what a sculpture has to look like. It must have a certain relation to reality. I mean, not airy-fairy, let alone fabricated, so aloof and polite… And I don't see this aspect in many artists' work. Often, my feeling is that they think something up that is supposed to be art. That's not what I want at all. Rather, a sculpture is really a photo – although it can be shifted, it must still always have an aspect that reality has too.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

“What I mean by living to one's-self is living in the world, as in it, not of it: it is as if no one know there was such a person, and you wished no one to know it: it is to be a silent spectator of the mighty scene of things, not an object of attention or curiosity in it; to take a thoughtful, anxious interest in what is passing in the world, but not to feel the slightest inclination to make or meddle with it.”

William Hazlitt (1778–1830) English writer

"On Living to One's-Self" <br class="br"> Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

“It's the spectator, and not life, that art really mirrors.”

Oscar Wilde (1854–1900) Irish writer and poet

Source: Miscellaneous Aphorisms; The Soul of Man

“An image means nothing. It is just a door, leading to the next door. It will never happens that we will find the truth we are looking for just in an image; it will happen behind the last door that the spectator discover the truth, because of his own efforts.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30.

“Everyone should consider his
body as a priceless gift from
one whom he loves above all, a
marvelous work of art, of
indescribable beauty, and
mystery beyond human conception, and so delicate that
a word, a breath, a look, nay, a
thought may injure it.”

Nikola Tesla (1856–1943) Serbian American inventor

“Vetulani is a rebellious artist: when we admire beautiful faces, forms, wide-framed Dutch landscapes, he says "and now for something you haven’t expected." The spectator is awakened from a reverie and confronted with an object of mysterious ugliness, like silicone heads of the pope.”

Tomasz Vetulani (1965) Polish artist

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

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Henry Moore44

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