“I had great cameramen like Rudolph Mate and Hal Mohr. They'd take an hour to light the proper closeup of me.”

Source: Notes from a Small Island

Source: The Silence of the Lambs

Song lyrics, Slow Train Coming (1979), I Believe in You

Context: I like digging into these characters that are a lot more complex, and there's a lot that isn't apparent on the surface … In a weird way, you can access all that fear and pain. … Nothing makes me happier than when somebody figures out I was in something, and then they'd seen me in something else, and had no idea it was the same person… Then I feel like I've done my job. … I've always loved finding characters that are not always the most likable ones when you first meet them, and finding a way to make them people that viewers will identify with, even against their better judgment.

As quoted in "Why Now Is a Divine Time for Alicia Witt", by Sarah Beauchamp at Huffington Post (30 May 2014) http://www.huffingtonpost.com/sarah-beauchamp/why-alicia-witt-should-be_b_5400673.html

Source: Bloodfever

Source: Plan B: Further Thoughts on Faith

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 145

Source: Frost Burned

Dla mnie jesteś trochę jak Rudolph Valentino, nie wiem, czy pamiętasz takiego bohatera kina. Znakomity kierunek dla ciebie: on był bohaterem kina niemego.
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