“Riches and Art are spurious receipts for the production of Happiness and Beauty.”

Source: Red Mars (1992), Chapter 2, “The Voyage Out” (p. 85)

Grundrisse (1857-1858)
Source: Introduction, p. 12.

At a press conference in Bloomingdale's, at the opening of the Philippine exhibit, cited in Ang Katipunan (May 1982).

Said in 1984, when interviewed on the occasion of her 50th birthday — as reported in Vocabulary Dictionary and Workbook (2006) by Mark Phillips, p. 17

Part I, Essay 15: The Epicurean
Essays, Moral, Political, and Literary (1741-2; 1748)
Context: It is a great mortification to the vanity of man, that his utmost art and industry can never equal the meanest of nature's productions, either for beauty or value. Art is only the under-workman, and is employed to give a few strokes of embellishment to those pieces, which come from the hand of the master

Mustapha Mond, in Ch. 16<!-- p. 228-->
Source: Brave New World (1932)
Context: I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. … It's curious … to read what people in the time of Our Ford used to write about scientific progress. They seemed to imagine that it could go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasise from truth and beauty to comfort and hapiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific resarch was still permitted. People still went on talking about truth and beauty as though they were sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled — after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for.

Saturday Review of Literature September 29, 1951.
Explaining why he never played encores.

Source: Art on the Edge, (1975), p. 231, "Shall These Bones Live?: Art Movement Ghosts"