
from "November Cotton Flower"
Poems from Cane (1923)
Missionary Travels and Researches in South Africa http://www.gutenberg.org/files/1039/1039-h/1039-h.htm
from "November Cotton Flower"
Poems from Cane (1923)
An Essay on the Beautiful
Context: The sensitive eye can never be able to survey, the orb of the sun, unless strongly endued with solar fire, and participating largely of the vivid ray. Everyone therefore must become divine, and of godlike beauty, before he can gaze upon a god and the beautiful itself. Thus proceeding in the right way of beauty he will first ascend into the region of intellect, contemplating every fair species, the beauty of which he will perceive to be no other than ideas themselves; for all things are beautiful by the supervening irradiations of these, because they are the offspring and essence of intellect. But that which is superior to these is no other than the fountain of good, everywhere widely diffusing around the streams of beauty, and hence in discourse called the beautiful itself because beauty is its immediate offspring. But if you accurately distinguish the intelligible objects you will call the beautiful the receptacle of ideas; but the good itself, which is superior, the fountain and principle of the beautiful; or, you may place the first beautiful and the good in the same principle, independent of the beauty which there subsists.
Call My Name
Song lyrics, Musicology (2004)
"Babette's Feast"
Anecdotes of Destiny (1953)
Context: When later in life they thought of this evening it never occurred to any of them that they might have been exalted by their own merit. They realized that the infinite grace of which General Loewenhielm had spoken had been allotted to them, and they did not even wonder at the fact, for it had been but the fulfillment of an ever-present hope. The vain illusions of this earth had dissolved before their eyes like smoke, and they had seen the universe as it really is. They had been given one hour of the millennium.
(1825-2) Antony and Cleopatra. An Anecdote from Plutarch
The Monthly Magazine
It was just, 'This is what we do today. Okay, just one more thing. One more thing to accomplish today'. I guess the part that felt...the only thing that started to feel strange, this could be strange or this could be detrimental to people, was when the press started taking pot shots at people personally. Digging for dirt in the artists' private lives, being exploitative of the artist. That was the hardest part. Suddenly this private world that we had was public. Which was okay, that was exciting, except when the press got...when they looked for sensational avenues to report on. Which there wasn't for a long time. There really wasn't [any]. They had to keep coming back and saying, 'I guess all they know how to do up there is make amazing music'. Which is what continues to happen. The Seattle backlash and highly circulated reports that there was nothing new in Seattle after '93 just keep getting proved wrong again and again. I love that.
Source: Article written by Susan Silver for RIP Magazine, January 1996 http://web.stargate.net/soundgarden/articles/rip_1-96.shtml,
" The Beggar Maid http://home.att.net/%7ETennysonPoetry/tbm.htm", st. 2 (1842)
“I have never seen faces, but because I have looked people in the eye, only their gazes.”
As quoted in "The Red Gaze"' in Expressionism (2004) by Norbert Wolf, p. 92
Undated