“Teachers and writers share a responsibility to create the next generation of readers. We need to create and cultivate in our classrooms a dialectic of intellect and intuition, of mental attention and sensory engagement. In poetry, intellectual-ity without physicality becomes dull and barren, just as intuition untethered by intellect quickly becomes sloppy and subjective. We need to augment methodology with magic”

36
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

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Dana Gioia80

American writer 1950

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“Determination in a single instance is an expression of courage; if it becomes characteristic, a mental habit. But here we are referring not to physical courage but to courage to accept responsibility, courage in the face of a moral danger. This has often been called courage d'esprit, because it is created by the intellect. That, however, does not make it an act of the intellect: it is an act of temperament. Intelligence alone is not courage; we often see that the most intelligent people are irresolute. Since in the rush of events a man is governed by feelings rather than by thought, the intellect needs to arouse the quality of courage, which then supports and sustains it in action.
Looked at in this way, the role of determination is to limit the agonies of doubt and the perils of hesitation when the motives for action are inadequate.”

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“Indeed, it is not intellect, but intuition which advances humanity. Intuition tells man his purpose in this life.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 103

“Human culture reveals an opposition: diminution of the instinctive faculties and development of the intuitive capacity. A cultivation of instinctive faculties produces human degeneration; a cultivation of intuitive capacities creates human progress.”

Piet Mondrian (1872–1944) Peintre Néerlandais

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“Reason perceives the general and proceeds by logical operations, whereas Intellect perceives the principial − the metaphysical − and proceeds by intuition.”

Frithjof Schuon (1907–1998) Swiss philosopher

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“We are all born with extraordinary powers of imagination, intelligence, feeling, intuition, spirituality, and of physical and sensory awareness. (p.9)”

Ken Robinson (1950) UK writer

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“The use of the intellect in the sciences whose primitive concepts as well as axioms are given by sensuous intuition is only logical, that is, by it we only subordinate cognitions to one another according to their relative universality conformably to the principle of contradiction, phenomena to more general phenomena, and consequences of pure intuition to intuitive axioms. But in pure philosophy, such as metaphysics, in which the use of the intellect in respect to principles is real, that is to say, where the primary concept of things and relations and the very axioms are given originally by the pure intellect itself, and not being intuitions do not enjoy immunity from error, the method precedes the whole science, and whatever is attempted before its precepts are thoroughly discussed and firmly established is looked upon as rashly conceived and to be rejected among vain instances of mental playfulness.”

Immanuel Kant (1724–1804) German philosopher

Kant's Inaugural Dissertation (1770), Section V On The Method Respecting The Sensuous And The Intellectual In Metaphysics

“She hasn’t got any intellect to speak of; but you don’t need any intellect to be an intellectual.”

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“I make all my decisions on intuition. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.”

Ingmar Bergman (1918–2007) Swedish filmmaker

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“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

“It is by logic that we prove, but by intuition that we discover. To know how to criticize is good, to know how to create is better.”

Henri Poincaré book Science and Method

C'est par la logique qu'on démontre, c'est par l'intuition qu'on invente.
Part II. Ch. 2 : Mathematical Definitions and Education, p. 129
Science and Method (1908)

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