“Chorus: O suitably attired in leather boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Nod with your hand to signify as much.
Alcmaeon: I journeyed hither a Boeotian road.
Chorus: Sailing on horseback or with feet for oars?
Alcmaeon: Plying by turns my partnership of legs.
Chorus: Beneath a shining or a rainy Zeus?
Alcmaeon: Mud's sister, not himself, adorns my shoes.
Chorus: To learn your name would not displease me much.
Alcmaeon: Not all that men desire do they attain.”

— A.E. Housman

"Fragment of a Greek Tragedy". This parody was first written in 1883, but quoted here from a revised version of 1927.

Adopted from Wikiquote. Last update June 3, 2021. History

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A.E. Housman 69

English classical scholar and poet 1859–1936

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“Chorus: Let not thy love to man o'erleap the bounds
Of reason, nor neglect thy wretched state:
So my fond hope suggests thou shalt be free
From these base chains, nor less in power than Jove.
Prometheus: Not thus — it is not in the Fates that thus
These things should end; crush'd with a thousand wrongs,
A thousand woes, I shall escape these chains.
Necessity is stronger far than art.
Chorus: Who then is ruler of necessity?
Prometheus: The triple Fates and unforgetting Furies.
Chorus: Must Jove then yield to their superior power?
Prometheus: He no way shall escape his destined fate.
Chorus: What, but eternal empire, is his fate?
Prometheus: Thou mayst not know this now: forbear to inquire.
Chorus: Is it of moment what thou keep'st thus close?
Prometheus: No more of this discourse; it is not time
Now to disclose that which requires the seal
Of strictest secresy; by guarding which I shall escape the misery of these chains.”

Aeschylus Prometheus Bound

Source: Prometheus Bound, lines 510–524, as translated by R. Potter (1860)

“Chorus of Furies: Living, you will be my feast, not slain at an altar”

Aeschylus Eumenides

Source: Oresteia (458 BC), Eumenides, line 305 (tr. Herbert Weir Smyth)

“Man, if thou art aught, strive to walk alone and hold converse with yourself, instead of skulking in the chorus! at length think; look around thee; bestir thyself, that thou mayest know who thou art!”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Even as bad actors cannot sing alone, but only in chorus: so some cannot walk alone. Man, if thou art aught, strive to walk alone and hold converse with yourself, instead of skulking in the chorus! at length think; look around thee; bestir thyself, that thou mayest know who thou art! (103).

“In his seminar on The Ethic of Psychoanalysis, Lacan speaks of the role of the Chorus in classical tragedy: we, the spectators, came to the theatre worried, full of everyday problems, unable to adjust without reserve to the problems of the play, that is to feel the required fears and compassions - but not problem, there is a chorus, who feels the sorrow and the compassion instead of us - or, more precisely, we feel the required emotions through the medium of the chorus: 'You are then relieved of all worries, even if you do not feel anything, the Chorus will do so in your place.”

Slavoj Žižek book The Sublime Object of Ideology

32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)

“Oh, swiftly glides the bonnie boat,
Just parted from the shore,
And to the fisher's chorus-note,
Soft moves the dipping oar!”

Joanna Baillie (1762–1851) Scottish poet and dramatist

Song, Oh, Swiftly glides the Bonnie Boat; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 74.

“"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned."”

Cassandra Clare The Mortal Instruments

Clary and Jace, pg. 172
The Mortal Instruments, City of Bones (2007)

“Chorus: [We] must look beneath every stone, lest it conceal some orator ready to sting us.”

Aristophanés Thesmophoriazusae

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Thes.+529
Thesmophoriazusae (411 BC)

“The landlord's laugh was ready chorus.”

Robert Burns Tam o' Shanter

Source: Tam o' Shanter (1790), Line 50

“Chorus: Under every stone lurks a politician.”

Aristophanés Thesmophoriazusae

tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Under+every+stone+lurks+a+politician%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Thesmophoriazusae, line 529-530
A play on the Greek proverb "Under every stone lurks a scorpion". In context, "orator" was a synonym for "politician".
Thesmophoriazusae (411 BC)

“Whether it was a song, a person, or a story, there was a lot you couldn’t know from just an excerpt, a glance, or part of a chorus.”

Sarah Dessen book Just Listen

Source: Just Listen

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A.E. Housman 69

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