“I am locked in a race with someone who is continually described almost in Homeric fashion. The reason I say that is because Homer had this way of attaching epithets to all the characters, so he would never say Achilles, it would always have to be "Valorous, Brave Achilles" or something, or "Swift Footed Achilles" and things of this kind. He would never say Odysseus, it was always "Manly Wild Odysseus" or something; he would always have a little name in front. And you've noticed that my opponent Barack Obama, the media always puts a little epithet in front of him. "The Democrat Rising Star, Barack Obama," "Rising Star Barack Obama." And they tell me that they are not biased. I'm locked in a little battle with the Illinois media right now, because I've had the nerve to identify them as minions of the Democrat party. And they are all upset with me about this — but I have this bad habit of opening my eyes and seeing what's in front of them.”

—  Alan Keyes

National Federation of Republican Assemblies, NYC, August 31, 2004. http://renewamerica.us/archives/speeches/04_08_31nfra.htm.
2004 Illinois U.S. Senate race

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Alan Keyes 62
American politician 1950

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“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

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“If people were always kind and obedient to those who are cruel and unjust; the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse.”

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