“Model for others. He who wants to set a good example must add a grain of foolishness to his virtue; then others can imitate and, at the same time, rise above the one being imitated - something which people love.”

—  Friedrich Nietzsche , book Human, All Too Human

Section IX, "Man Alone with Himself" / aphorism 561
Human, All Too Human (1878), Helen Zimmern translation

Original

Den Andern zum Vorbild. - Wer ein gutes Beispiel geben will, muss seiner Tugend einen Gran Narrheit zusetzen: dann ahmt man nach und erhebt sich zugleich über den Nachgeahmten, - was die Menschen lieben.

Human, All Too Human (1878), Helen Zimmern translation

Adopted from Wikiquote. Last update Oct. 1, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Model for others. He who wants to set a good example must add a grain of foolishness to his virtue; then others can imi…" by Friedrich Nietzsche?
Friedrich Nietzsche photo
Friedrich Nietzsche 655
German philosopher, poet, composer, cultural critic, and cl… 1844–1900

Related quotes

Francesco Guicciardini photo

“He who imitates what is evil always goes beyond the example that is set; on the contrary, he who imitates what is good always falls short.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

L'imitazione del male supera sempre l'esempio; comme per il contrario, l'imitazione del bene è sempre inferiore.
Storia d' Italia (1537-1540)

François de La Rochefoucauld photo

“He loves to imitate. We often imitate the same person without perceiving it, and we neglect our own good qualities for the good qualities of others, which generally do not suit us.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), VII. On Air and Manner
Context: Few men, nevertheless, can have unison in many matters without being a copy of each other, if each follow his natural turn of mind. But in general a person will not wholly follow it. He loves to imitate. We often imitate the same person without perceiving it, and we neglect our own good qualities for the good qualities of others, which generally do not suit us.

François-René de Chateaubriand photo

“The original writer is not he who refrains from imitating others, but he who can be imitated by none.”

François-René de Chateaubriand (1768–1848) French writer, politician, diplomat and historian

L’écrivain original n’est pas celui qui n’imite personne, mais celui que personne ne peut imiter.
The Oxford Dictionary of Quotations (1979) 3rd edition
Variant translations:
The original style is not the style which never borrows of any one, but that which no other person is capable of reproducing.
As translated by Charles I. White (1856) Part 2, Book 1, Chapter 3
An original writer is not one who imitates nobody, but one whom nobody can imitate.
Bartlett's Familiar Quotations (1980) 15th edition.
Le génie du Christianisme (1802)

Desiderius Erasmus photo

“We must learn how to imitate Cicero from Cicero himself. Let us imitate him as he imitated others.”

Desiderius Erasmus book Ciceronianus

in The Erasmus Reader (1990), p. 130.
Ciceronianus (1528)

“And I learned very early [Josef Albers was then ten years old] how to make imitation of wood grain. This is something I have in common with Georges Braque. Braque also learned very early from his father how to imitate marble or wood grain. So I could easily make the appearance of oak or walnut on pine. That is very easy; a very simple technique. And I learned how to imitate marble. I never made such a good joke as Braque did. When he was in the Mediterranean he fooled his friends. He painted a rowboat that had wood on one side and marble on the other side. You see, when he'd row out of the city it looked as if he were in a boat of a different material than when he came back, you see, one side was imitation wood and the other side was imitation marble.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Joshua Reynolds photo

“A painter must not only be of necessity an imitator of the works of nature…but he must be as necessarily an imitator of the works of other painters: this appears more humiliating, but is equally true; and no man can be an artist, whatever he may suppose, upon any other terms.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 6, delivered on December 10, 1774; vol. 1, p. 150.
Discourses on Art

Pelagius photo

“Let no man judge himself to be a Christian, unless he is one who both follows the teaching of Christ and imitates his example.”

Pelagius (360–420) British monk

On The Christian Life

Michael Foot photo

“It is not necessary that every time he rises he should give his famous imitation of a semi-house-trained polecat.”

Michael Foot (1913–2010) British politician

Speech http://hansard.millbanksystems.com/commons/1978/mar/02/business-of-the-house in the House of Commons (2 March 1978), referring to Norman Tebbit
1970s

“I do not want other artists to imitate my work – they do even when I tell them not to – but only [ imitate] my example for freedom and independence from all external, decadent and corrupting influences..”

Clyfford Still (1904–1980) American artist

1960s
Source: 'A period of Exploration', McChesney, as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p 35

Zygmunt Bauman photo

““To imitate Socrates” meant, in other words, to staunchly refuse imitation; refuse imitation of the person “Socrates”—or any other person, however worthy. The model of life Socrates selected, painstakingly composed and laboriously cultivated for himself might have perfectly suited his kind of person, but it would not necessarily suit all those who made a point of living as Socrates did. A slavish imitation of the specific mode of life that Socrates constructed on his own, and to which he remained unhesitatingly, steadfastly loyal throughout, would amount to a betrayal of his legacy, to the rejection of his message—a message calling people first and foremost to listen to their own reason, and calling thereby for individual autonomy and responsibility. Such an imitation could suit a copier or a scanner, but it will never result in an original artistic creation, which (as Socrates suggested) human life should strive to become.”

Zygmunt Bauman (1925–2017) Polish philosopher and sociologist

Source: The Art of Life (2008), p. 79.

Related topics