“The growing drama has outgrown such toys
Of simulated stature, face, and speech:
It also peradventure may outgrow
The simulation of the painted scene,
Boards, actors, prompters, gaslight, and costume,
And take for a worthier stage the soul itself,
Its shifting fancies and celestial lights,
With all its grand orchestral silences
To keep the pauses of its rhythmic sounds.”

— Elizabeth Barrett Browning

Book V.
Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)

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Elizabeth Barrett Browning 88

English poet, author 1806–1861

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Alchemy in the Theatre (1994).
Context: Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.

“This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

General Aspects of Dream Psychology (1928)

“That which may have sounded like righteous teaching when it was remote and wordy, will be challenged afresh when it is obliged to simulate life itself.”

Jane Addams (1860–1935) pioneer settlement social worker

Source: Twenty Years at Hull-House (1910), Ch. 16
Context: I have come to believe … that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy, will be challenged afresh when it is obliged to simulate life itself.

“This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. II, p. 30
1980s, Letters to the Schools (1981, 1985)
Context: Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.

“A poem therefore is to be defined as a structure of words whose sound constitutes a rhythmical unity, complete in itself, irrefragable, unanalyzable, completing its symbolic references within the ambit of its sound effects.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

What is a Poem - Endword - Selected Poems (1926)

“The law has outgrown its primitive stage of formalism when the precise word was the sovereign talisman, and every slip was fatal.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Wood v. Lucy, Lady Duff-Gordon, 222 N.Y. 88, 91; 118 N.E. 214 (N.Y. 1917)
Judicial opinions
Context: The law has outgrown its primitive stage of formalism when the precise word was the sovereign talisman, and every slip was fatal. It takes a broader view to-day. A promise may be lacking, and yet the whole writing may be "instinct with an obligation," imperfectly expressed. If that is so, there is a contract.

“Truth also has its roof, and bed, and board.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, Literary Ethics (1838)
Context: Explore, and explore, and explore. Be neither chided nor flattered out of your position of perpetual inquiry. Neither dogmatise yourself, nor accept another's dogmatism. Why should you renounce your right to traverse the star-lit deserts of truth, for the premature comforts of an acre, house, and barn? Truth also has its roof, and bed, and board. Make yourself necessary to the world, and mankind will give you bread, and if not store of it, yet such as shall not take away your property in all men's possessions, in all men's affections, in art, in nature, and in hope.

“I do not have a comic or tragic period in any real sense. I have always painted dark pictures; always some light pictures. I will probably go on doing so... Orchestral. My work in its entirety is like a symphony in which each painting has its part.”

Clyfford Still (1904–1980) American artist

Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s

“My soul is impatient with itself, as with a bothersome child; its restlessness keeps growing and is forever the same. Everything interests me, but nothing holds me.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

“Thus it may be said that not only the soul, the mirror of an indestructible universe, is indestructible, but also the animal itself, though its mechanism may often perish in part and take off or put on an organic slough.”

Gottfried Leibniz (1646–1716) German mathematician and philosopher

Ainsi on peut dire que non seulement l'âme, miroir d'un univers indestructible, est indestructible, mais encore l'animal même, quoique sa machine périsse souvent en partie, et quitte ou prenne des dépouilles organiques.
La monadologie (77).
Sometimes paraphrased as: The soul is the mirror of an indestructible universe.
The Monadology (1714)

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Elizabeth Barrett Browning 88

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