
Written before the disaster.
Poetry, The Railway Bridge of the Silvery Tay (1878)
The death toll was actually 75.
Poetry, The Tay Bridge Disaster (1880)
Written before the disaster.
Poetry, The Railway Bridge of the Silvery Tay (1878)
Speaking about loss of life of British soldiers, to students at Cambridge University — reported in Deutsche Press-Agentur staff (May 11, 2007) "Iraqi president says soldiers die for 'noble cause'", Deutsche Press-Agentur.
But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later
Source: Talk at the Peking Forum on Literature and Art (9 and 12 November 1967)
“Even in days of loss and sorry, beauty remains, and I am ever grateful.”
July 1968, of the Lennebergwald (Lenneberg Forest), Mainz, Germany.
Attributed
“I have been very happy, very rich, very beautiful, much adulated, very famous, and very unhappy.”
Said in 1984, when interviewed on the occasion of her 50th birthday — as reported in Vocabulary Dictionary and Workbook (2006) by Mark Phillips, p. 17
As quoted in Screen Stories magazine (1967)
Context: I guess you could say that I was somewhat withdrawn from my classmates. I spent a good deal of time being a loner. I suppose that had something to do with the way we lived — always on the move, never living in one town very long. It's very hard to make lasting friendships that way. And my father was rather strict with me and my two younger sisters. He insisted on proper behaviour and very often vetoed our choices of boyfriends. There was always a curfew whenever my sisters or I would go out on a date — we had to be home on time or else. But I never resented his authority. In fact, I'm thankful for my strict upbringing; I feel it has helped me learn discipline — and that's very important in this business.
excerpt of her Journal, 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899