“How difficult it is to learn not to see like cameras, which has had such an effect on us. The camera sees everything at once. We don't. There's a hierarchy. Why do I pick out that thing, that thing, that thing?”

Interview with Mark Feeney, "David Hockney keeps seeking new avenues of exploration," Boston Globe (26 February 2006)
2000s

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David Hockney 27
British artist 1937

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Context: When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be.

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“The camera is an instrument that teaches people how to see without a camera.”

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Context: You put your camera around your neck in the morning, along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.

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“[I think] the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.”

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from Los Angeles Free Press, March 22, 1968. Gene Youngblood

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“Shame works like the zoom lens on a camera. When we are feeling shame, the camera is zoomed in tight and all we see is our flawed selves, alone and struggling.(page 68)”

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Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

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“We don't see things as they are, we see things as we are.”

The Seduction of the Minotaur (1961); the documentation of the conflicting citations available on this page ( HNet http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-Judaic&month=1108&msg=RizwZWCgeA8woVU9mNOEYQ) seems very thorough, and in the end attributes the quote to this novel, which includes the line:
Lillian was reminded of the talmudic words: "We do not see things as they are, we see them as we are."
With Nin's description of the statement as "Talmudic" it afterwards began to be attributed to the Jewish Talmud, without any cited version or passage.
Similar statements appear in You Can Negotiate Anything (1982) by Herb Cohen: "You and I do not see things as they are. We see things as we are"; and in Awareness (1992) by Anthony de Mello: "We see people and things not as they are, but as we are".
Another similar statement without cited source is also attributed to Nin https://web.archive.org/web/20050322041559/http://learn-gs.org/learningctr/tutorial/4.html: We see the world as "we" are, not as "it" is; because it is the "I" behind the "eye" that does the seeing.
Disputed
Variant: We don't see people as they are. We see people as we are.
Source: Little Birds

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“I don't know why people see the things that they do. I wouldn't pay to see them, they don't touch me or move me in any way.”

Sherilyn Fenn (1965) American actress

Sherilyn Fenn, quoted in "Sherilyn and Sherilyn Alike", by Dale Brasel. Detour (USA). May 1995. p. 46-50.

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