“My father Giannino Castiglioni was a sculptor. His was a realistic sculpture, always linked to the human image, not fantastic and unreal, had an attitude of continuous analysis of the characteristics of people”

— Achille Castiglioni

Giannino Castiglioni. Milano, 1884 - Lierna (Lago di Como), 1971. Scultore. in: II personaggi pubblici., p. 42 ( online http://www.alessandraubertazzi.eu/wp-content/pdf/monumentale/personaggipubblici.pdf)

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Achille Castiglioni 3

Italian designers and architect 1918–2002

Achille Castiglioni (1918–2002) Italian designers and architect

Achille Castiglioni, 1960 - Lierna (Lago di Como), 1971. Scultore. in: Domus Magazine, Achille Effect, Laura Bossi, 13 April 2010, ( Domusweb online https://www.domusweb.it/en/news/2010/04/13/achille-effect.html)

“It may sound fantastic to link the term "realism" with Conan; but as a matter of fact - his supernatural adventures aside - he is the most realistic character I ever evolved.”

Robert E. Howard (1906–1936) American author

From a letter to Clark Ashton Smith (23 July 1935)
Letters
Context: It may sound fantastic to link the term "realism" with Conan; but as a matter of fact - his supernatural adventures aside - he is the most realistic character I ever evolved. He is simply a combination of a number of men I have known, and I think that's why he seemed to step full-grown into my consciousness when I wrote the first yarn of the series. Some mechanism in my sub-consciousness took the dominant characteristics of various prize-fighters, gunmen, bootleggers, oil field bullies, gamblers, and honest workmen I had come in contact with, and combining them all, produced the amalgamation I call Conan the Cimmerian.

“In my search for these values I like to work both realistically and abstractly. In my drawing and painting I turn from one to the other as a necessity or impulse and not because of a preconceived design of action. When drawing what I see I am usually most conscious of the underlying principle of abstract form in human beings and their relationship one to the other. In making my abstract drawings I am most often aware of those human values which dominate the structure and meaning of abstract forms. Sculpture is the fusion of these two attitudes and I like to be free as to the degree of abstraction and realism in carving. The dominant feeling will always be the love of humanity and nature; and the love of sculpture for itself.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 285

“My sculpture is altogether different from Rodin’s…. In sculpture he [Rodin] always sees the flesh first. [answering his critics]”

Aristide Maillol (1861–1944) sculptor from France

Quote in 'Aristide Maillol', George Waldemar (1965) p. 46; as cited in 'A sculpture of interior Solitude', Angelo Carnafa, Associated University Presse, 1999, p. 166

“Until the end of the fascist era and of the war [World War 2. ], I continued to hark back to the sober realism [in his human figure sculptures, then] of the artists of the Etruscan funerary figures, or the sculptors of some Roman portraits, especially the earlier ones. My own way of reacting against the imperialist pathos of official Fascist art continued, until 1944, to consist in identifying my art very consciously with my private life, so that I never allowed myself any form of expression that might seem too blatantly public.”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 87

“I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said: "Richard, calm down."”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

“The composition, harmonies and proportions of those 'intended shapes' is the great and most difficult problem which the modern sculptor attacks, for sculpture is only forms, only spaces embraced by lines which demonstrate them. The secrets of a never dying piece of sculpture is to be had only by undergoing experience.”

Ossip Zadkine (1890–1967) French sculptor

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

“Circle' was published at last [constructivist manifesto, in 1937 - with Naum Gabo, Ben Nicholson a. o. ]. Mondrian has made his studio opposite so very beautiful, and his company was always inspiring, as it had been in Paris when we used to visit him. After a while he really seemed to our domestic scene. His studio and Ben’s [the sculptor Ben Nicholson; Barbara was his wife then] were most austere, but my studio was a jumble of children, rocks, sculptures, trees, importunate flowers and washing.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 283

“I prefer Mexican to Mayan sculpture. Mexican stone sculptures have largeness of scale & a grim, sublime, austerity, a real stoniness. They were the true sculptors in sympathy with their material & their sculpture has some of the character of mountains, of boulders, rocks & sea worn pebbles.”

Henry Moore (1898–1986) English artist

in 'Unpublished notes', c. 1925-1926, HMF archive; as quoted in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 97
1925 - 1940

“My father Giannino Castiglioni was a sculptor. His was a realistic sculpture, always linked to the human image, not fantastic and unreal, had an attitude of continuous analysis of the characteristics of people”

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Achille Castiglioni 3

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