
“Every artist dips his brush in his own soul and paints his own nature into his picture.”
Proverbs from Plymouth Pulpit (1887)
Source: The Summing Up (1938), p. 185
“Every artist dips his brush in his own soul and paints his own nature into his picture.”
Proverbs from Plymouth Pulpit (1887)
“The artists is responsible for his history and his nature, his history is part of his nature.”
after 1967 - posthumous
Source: Gerhard Richter, Doubt and belief in painting, Robert Storr, MOMA, New York, 2003, p. 32 note 1.
Letter 4: Theosophy of Julius
The Philosophical Letters
1840s, Essays: First Series (1841), Compensation
Context: Men suffer all their life long, under the foolish superstition that they can be cheated. But it is as impossible for a man to be cheated by any one but himself, as for a thing to be and not to be at the same time. There is a third silent party to all our bargains. The nature and soul of things takes on itself the guaranty of the fulfilment of every contract, so that honest service cannot come to loss. If you serve an ungrateful master, serve him the more. Put God in your debt. Every stroke shall be repaid. The longer the payment is withholden, the better for you; for compound interest on compound interest is the rate and usage of this exchequer.
The history of persecution is a history of endeavours to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason, and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison, a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. Hours of sanity and consideration are always arriving to communities, as to individuals, when the truth is seen, and the martyrs are justified.
Thus do all things preach the indifferency of circumstances. The man is all. Every thing has two sides, a good and an evil. Every advantage has its tax. I learn to be content. But the doctrine of compensation is not the doctrine of indifferency. The thoughtless say, on hearing these representations, — What boots it to do well? there is one event to good and evil; if I gain any good, I must pay for it; if I lose any good, I gain some other; all actions are indifferent.
There is a deeper fact in the soul than compensation, to wit, its own nature. The soul is not a compensation, but a life. The soul is. Under all this running sea of circumstance, whose waters ebb and flow with perfect balance, lies the aboriginal abyss of real Being. Essence, or God, is not a relation, or a part, but the whole. Being is the vast affirmative, excluding negation, self-balanced, and swallowing up all relations, parts, and times within itself. Nature, truth, virtue, are the influx from thence. Vice is the absence or departure of the same.
As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s
Quote from a speech of Ferdinand Hodler: 'The artist's mission' (held in Freibourg in 1897), first published in 1923 in Zurich; as cited by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925
“Such fire was not by water to be drowned,
Nor he his nature changed by changing ground.”
Né spegner può, per starne l'acqua, il fuoco,
Né può stato mutar, per mutar loco.
Canto XXVIII, stanza 89 (tr. W. S. Rose)
Orlando Furioso (1532)
7 - 10
Auxiliaries to the Perception of Intelligible Natures
Context: The soul is bound to the body by a conversion to the corporeal passions; and again liberated by becoming impassive to the body.
That which nature binds, nature also dissolves: and that which the soul binds, the soul likewise dissolves. Nature, indeed, bound the body to the soul; but the soul binds herself to the body. Nature, therefore, liberates the body from the soul; but the soul liberates herself from the body.
Hence there is a twofold death; the one, indeed, universally known, in which the body is liberated from the soul; but the other peculiar to philosophers, in which the soul is liberated from the body. Nor does the one entirely follow the other.
We do not understand similarly in all things, but in a manner adapted to the essence of each. For intellectual objects we understand intellectually; but those that pertain to soul rationally. We apprehend plants spermatically; but bodies idolically (i. e., as images); and that which is above all these, super-intellectually and super-essentially.
"Notice sur Halphen," Journal de l'École Polytechnique (Paris, 1890), 60ème cahier, p. 143. See also Tobias Dantzig, Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954) p. 8
Context: A scientist worthy of the name, above all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.... we work not only to obtain the positive results which, according to the profane, constitute our one and only affection, as to experience this esthetic emotion and to convey it to others who are capable of experiencing it.