“The light overcame the shadow. But as always, the shadow left its taint on the victors.”
Glen Cook book The White Rose
Source: The White Rose (1985), Chapter 43, “Picnic” (p. 645)
Said to author and critic André Maurois c. 1930, on the subject of the transformation of Germany.
Quoted in Maurois, The Art of Writing, “The Writer's Craft,” sct. 2 (1960).
Other works
“The light overcame the shadow. But as always, the shadow left its taint on the victors.”
Glen Cook book The White Rose
Source: The White Rose (1985), Chapter 43, “Picnic” (p. 645)
“People always leave traces. No person is without a shadow.”
Henning Mankell book The Troubled Man
Source: The Troubled Man
Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker
Quote in an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968
Thomas Pynchon book Gravity's Rainbow
Gravity's Rainbow (1973)
Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker
Le Coq et l’Arlequin (1918)
“… and that, in the end, the most interesting people always leave.”
Paulo Coelho book Eleven Minutes
Source: Eleven Minutes
Karl Popper book The Poverty of Historicism
All that technology may say about ends is whether they are compatible with each other or realizable.
The Poverty of Historicism (1957) Ch. 22 The Unholy Alliance with Utopianism
Leopold II of Belgium (1835–1909) King of the Belgians
Source: BBC Documentary based on Adam Hochschild's 'King Leopold's Ghost'
Congo: White King, Red Rubber, Black Death
Donald Judd (1928–1994) artist
Source: 1990s, "It’s Hard to Find a Good Lamp," 1993, p. 7; Quoted in: " Furniture http://www.juddfoundation.org/furniture/judd-furniture" at juddfoundation.org, 2014 <br class="br">Context: The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness and scale as a chair. These are proportion, which is visible reasonableness. The art in art is partly the assertion of someone's interest regardless of other considerations. A work of art exists as itself; a chair exists as a chair itself. And the idea of a chair isn't a chair.