“It is not certain whether Pāṇini used writing for the composition of his work, though it is generally agreed that he knew of a form of writing, based on references to words such as "script" and "scribe" in his Ashtadhyayi. These must have referred to Aramaic or early Kharosthi writing. It is believed by some that a work of such complexity would have been difficult to compile without written notes, though others have argued that he might have composed it with the help of a group of students whose memories served him as 'notepads' (as is typical in Vedic learning). Writing first reappears in India in the form of the Brāhmī script from the 3rd century BC in the Ashokan inscriptions.”

— Pāṇini

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

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Pāṇini 37

ancient Sanskrit grammarian

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'A Death in Life'
Essays and reviews, Snakecharmers in Texas (1988)

“While Pāṇini's work is purely grammatical and lexicographic, cultural and geographical inferences can be drawn from the vocabulary he uses in examples, and from his references to fellow grammarians, which show he was a northwestern person. New deities referred to in his work include Vasudeva (4.3.98). The concept of dharma is attested in his example sentence dharmam carati "he observes the law"”

Pāṇini ancient Sanskrit grammarian

cf. Taittiriya Upanishad 1.11
An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

“Some people have written that my writing has helped them go on.
It has helped me too. The writing, the roses, the 9 cats.”

Charles Bukowski (1920–1994) American writer

Source: The Captain is Out to Lunch and the Sailors Have Taken Over the Ship

“Pāṇini had before him a list of irregularly formed words, which survives, in a somewhat modified form, as the Uṇādi Sūtra. There are also two appendixes to which Pāṇini refers: one is the Dhātupāṭha, "List of Verbal Roots," containing some 2000 roots, of which only about 800 have been found in Sanskrit literature, and from which about fifty Vedic verbs are omitted; the second is the Gaṇapāṭha, or "List of Word-Groups," to which certain rules apply. These gaṇas were metrically arranged in the Gaṇaratna-mahodadhi, composed by Vardhamāna in 1140 A. D.”

Pāṇini ancient Sanskrit grammarian

Appendix A History of Sanskrit Literature

“Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he’d never have written a word.”

Alan Bennett (1934) English actor, author

Diary entry for June 27, 1988, p. 177.
Writing Home (1994)

“The first writer on algebra whose works have come down to us is Ahmes. He has certain problems in linear equations and in series, and these form the essentially new feature in his work. His treatment of the subject is largely rhetorical.”

David Eugene Smith (1860–1944) American mathematician

Source: History of Mathematics (1925) Vol.2, Ch. 6: Algebra

“A narrator should not supply interpretations of his work; otherwise he would have not written a novel, which is a machine for generating interpretations.”

Umberto Eco book The Name of the Rose

Source: The Name of the Rose

“The rich man never stops his work of exploiting, though he may be utterly unable to assign a reason for his greed. He that has $1,000,000 would have $10,000,000; he that has $100,000,000 would have $1,000,000,000.”

Johann Most (1846–1906) German-American anarchist politician, newspaper editor, and orator

The Beast of Property (1884)

“Next we have the Vārttikas or "Notes" of Kātyāyana (probably third century B. C.) on 1245 of Pāṇini's rules, and, somewhat later, numerous grammatical Kārikās or comments in metrical form: all this critical work was collected by Patanjali in his Mahābhāshya or "Great Commentary," with supplementary comments of his own. He deals with 1713 rules of Pāṇini.”

Pāṇini ancient Sanskrit grammarian

Appendix A History of Sanskrit Literature

“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

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Pāṇini 37

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